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In this video, taped during the 2008 Canadian Art Gallery Hop, Globe and Mail critic Sarah Milroy discusses themes of transformation and materiality in the work of German-born, Ontario-based artist Reinhard Reitzenstein. Listen in as the artist, also present at the talk, speaks about his interest in photography and his need to heighten the tangibility of the world around him.
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Listen in as art dealer Wil Kucey of Toronto’s Le Gallery discusses his upcoming September exhibition, some of his hottest emerging artists, his interest in graffiti and street art and how he defines his role as a dealer.
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Hear Inuit art dealer Pat Feheley talk about the recent sea change in Inuit art from the historical to the avant-garde, brought about by gallery artists including Annie Pootoogook. She describes her September 2008 exhibition, which is a collaboration between Shuvinai Ashoona and John Noestheden.
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Curator Claire Christie talks to Leah Sandals about the work on view in the gallery’s September 2008 exhibition, “The Calibration of Chance.” The show features work by Michael Graham, Alison Rossiter, Shirley Wiitasalo and Laurel Woodcock.
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Kim Dorland welcomes us into his studio, where he talks about his inspirations, his influences and how he hopes viewers respond to his paintings. He also previews his newest, large-scale work, which went on view at Angell Gallery in September 2008.
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Leah Sandals visits artist Katie Bethune-Leamen at her installation in Toronto’s Sculpture Garden, Mushroom Studio. Listen in as Bethune-Leamen talks about her interest in mushrooms and her experience working within the public realm.
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Curator Barbara Fischer describes her project with UK-based artist Mark Lewis for the Canadian pavilion at the 2009 Venice Biennale and gives her views on what it means to be a Canadian artist in today’s global art world.
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In their many years together as artist and collector, model and mentor, wealthy curator Sam Wagstaff and bête noire photographer Robert Mapplethorpe had many dual portraits taken.
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In November 2007 Martin Kersels, co-director of the Program in Art at the California Institute of the Arts (CalArts) and a Los Angeles–based artist who works in sculpture, audio, photography and performance, visited Toronto for the fourth installment of the Anne Lind International Program.
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The winner will be published in our magazine and receive a $3,000 award
Toronto's most anticipated art party is slated for Thursday, September 20
Timothy Taylor's feature on Zacharias Kunuk and Douglas Weber's portfolio on Kunuk's hometown recognized
Full talks and tours schedule, Douglas Coupland conversation info, and magazine launch details posted for free day of activities
Applications due May 9 for $55,000 in prizes
Free art tours for high-school students to take place in April and May
New writers on contemporary art encouraged to apply by June 1
Dates already set for next year’s Toronto festival
Applications for this $7,000 student award are due April 6
Event to feature a conversation with Douglas Coupland, gallery tours, a magazine launch and more
Jon Rafman’s work enjoys a deservedly high profile at this year’s Contact Festival. As Saelan Twerdy observes in this review, Rafman’s stunning, and often funny, Google Street View scenes demonstrate how the Internet is making everything public, from information to intimacy.
The auction record for contemporary Canadian art was broken earlier this month in New York with Christie’s $3.6 million sale of a Jeff Wall photograph. This week, Canada’s top houses head into their spring sales hoping to break more records.
“Based on a True Story” in Oakville boasts the largest North American survey to date of Keren Cytter, the Tel Aviv–born artist known as one of today’s most intriguing video practitioners. Mariam Nader reviews, finding greatest hits and unexpected delights.
The history of indigenous people performing for colonial audiences inspires "Sovereign Acts,” a current Toronto group show. As Max Mosher writes, the show—featuring Lori Blondeau, Adrian Stimson and others—is both campy and contemplative.
Dil Hildebrand is one brave painter. In his new show “Back to the Drawing Board (Reprise),” he stares down the old adage that no one wants to look at a green painting, let alone buy one. There's not just one green painting here—there's a room of them.
