-- Advertisement --

                           

-- Advertisement --

Canadian Art

Video

Jed Lind: Starlight and Water

Jessica Bradley Art and Projects, Toronto Oct 22 to Nov 19 2008
Installation view of Jed Lind's
Installation view of Jed Lind's "Fluid Geographies" at Jessica Bradley Art and Projects, Toronto.

Installation view of Jed Lind's "Fluid Geographies" at Jessica Bradley Art and Projects, Toronto.



Close Move



Los Angeles–based artist Jed Lind is inspired by everything from Buckminster Fuller’s utopian legacy to the provisional architecture of coastal societies. In this brief video, Canadian Art editor Richard Rhodes offers his thoughts on Lind’s second solo show at Toronto’s Jessica Bradley Art and Projects. Along the way, Lind’s series of new works prompt thoughts on the boundaries between person and planet, mark and mirage, and idea and ideology. (Running time 2 minutes 51 seconds)


Jed Lind from Canadian Art on Vimeo.

This article was first published online on November 6, 2008.

RELATED STORIES

  • Painting in Tongues

    Ben Reeves’s deceptively traditional paintings are built on a meticulously realized brush-stroke conceptualism

  • Back and Forth

    The British-born, Berlin-based conceptualist Jonathan Monk put the finishing touch on “Back and Forth” after he arrived in Toronto, with a bouquet of roses. It was a simple but brilliant response to the venerated Toronto avant-garde filmmaker Michael Snow’s work in the two artists’ installation at Jessica Bradley Art + Projects.

  • Marla Hlady

    In the most general sense, I find sound art fun to make but hard to like. It can be densely theoretical and conjure up visions of unmetred noise, percussion or found sound. These aesthetics pervade in this continually experimental medium, often taking cues from musique concrète and John Cage.

 

FOUNDATION NEWS

More Foundation news

ONLINE

  • In Conversation: Robert Gober on Charles Burchfield

    Co-curated by acclaimed artist Robert Gober, “Heat Waves in a Swamp: The Paintings of Charles Burchfield” received high praise during an LA stop last fall. Now, with the show on at Buffalo’s Burchfield Penney Art Center, critic Ashley Johnson talks with Gober about regionalism, realism and reinvention.

  • Wangechi Mutu: This You Call Civilization?

    In her first solo show at a major North American institution, the Nairobi-born, New York–based artist Wangechi Mutu presents arresting videos and visceral, large-scale collage works. Here, Gabrielle Moser notes the impressive tensions in Mutu’s art.

  • Marie-Claire Blais: Interstellar Overdrive

    Light and luminosity have long been top concerns for Montreal artist Marie-Claire Blais. But as Bryne McLaughlin notes, Blais’ latest show of works—created using an auto-industry spray gun—reaches towards a sense of the cosmic as well.

  • Myfanwy MacLeod: The High-Art Lowdown

    Myfanwy MacLeod is known for forays into modernism’s iconic moments as well as for delving into the vernacular. Here, National Gallery curator Josée Drouin-Brisebois reviews MacLeod’s latest show with an eye to her “high” and “low” influences.

  • FIFA 2010: The Flicks to Pick

    This week, the 28th edition of the Festival International du Film sur l’Art gets underway in Montreal with screenings of 230 films from 23 countries. Here’s Canadian Art’s top FIFA picks for contemporary-art fans.

More Online

- Advertisements -



- Advertisements -
Report a problem