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To mark the 40th anniversary of Joyce Wieland’s landmark 1971 exhibition “True Patriot Love” at the
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Graham Gillmore—he of glistening, routered-letter painting fame—has a way with words. Pencil me out, his expanses read, or Look at me when I’m speaking to you. This sarcastic parental voice has much to say about painting’s messy generation gaps.
This weekend is the last chance to see “Global Nature” in Kamloops. It features work by Sarah Anne Johnson and Lorraine Gilbert, two photographers who focus on our complicated relationship to nature—and who’ve done major projects on tree planters.
Old Montreal may be a destination for world-class contemporary art, but it’s also still known for kitschy horse carriages. For David Balzer, that local feature comes to mind when viewing Berlinde De Bruyckere’s DHC/ART show, which includes the equine as medium.
The winner will be published in our magazine and receive a $3,000 award
Toronto's most anticipated art party is slated for Thursday, September 20
Timothy Taylor's feature on Zacharias Kunuk and Douglas Weber's portfolio on Kunuk's hometown recognized
Full talks and tours schedule, Douglas Coupland conversation info, and magazine launch details posted for free day of activities
Applications due May 9 for $55,000 in prizes
Free art tours for high-school students to take place in April and May
New writers on contemporary art encouraged to apply by June 1
Dates already set for next year’s Toronto festival
Applications for this $7,000 student award are due April 6
Event to feature a conversation with Douglas Coupland, gallery tours, a magazine launch and more
Jon Rafman’s work enjoys a deservedly high profile at this year’s Contact Festival. As Saelan Twerdy observes in this review, Rafman’s stunning, and often funny, Google Street View scenes demonstrate how the Internet is making everything public, from information to intimacy.
The auction record for contemporary Canadian art was broken earlier this month in New York with Christie’s $3.6 million sale of a Jeff Wall photograph. This week, Canada’s top houses head into their spring sales hoping to break more records.
“Based on a True Story” in Oakville boasts the largest North American survey to date of Keren Cytter, the Tel Aviv–born artist known as one of today’s most intriguing video practitioners. Mariam Nader reviews, finding greatest hits and unexpected delights.
The history of indigenous people performing for colonial audiences inspires "Sovereign Acts,” a current Toronto group show. As Max Mosher writes, the show—featuring Lori Blondeau, Adrian Stimson and others—is both campy and contemplative.
Dil Hildebrand is one brave painter. In his new show “Back to the Drawing Board (Reprise),” he stares down the old adage that no one wants to look at a green painting, let alone buy one. There's not just one green painting here—there's a room of them.
