-- Advertisement --

-- Advertisement --

Canadian Art

Slideshow

Alison Rossiter: Her Dark Materials

An Online Supplement to the Spring 2011 Print Edition of Canadian Art
Alison Rossiter <em>Gevaert Gevaluxe, exact expiration date unknown, ca. 1930s, processed in 2010</em> 2010 Courtesy Stephen Bulger Gallery © Alison Rossiter  Alison Rossiter Gevaert Gevaluxe, exact expiration date unknown, ca. 1930s, processed in 2010 2010 Courtesy Stephen Bulger Gallery © Alison Rossiter

Alison Rossiter <em>Gevaert Gevaluxe, exact expiration date unknown, ca. 1930s, processed in 2010</em> 2010 Courtesy Stephen Bulger Gallery © Alison Rossiter


In the words of Canadian Art contributing editor Nancy Tousley, photographic artist Alison Rossiter is a “conjuror.” Tousley’s feature on Rossiter in our Spring 2011 issue of the magazine focuses on the tricks Rossiter performs with discarded photo paper, some dating as early as 1900, which the artist frequently acquires by auction, vying with entities like the Getty Museum. In her New York studio, Rossiter brings out hidden shapes and images in the papers: ghosts of times past, and of the materiality of analog photography itself. This bonus selection of six images provides a view of Rossiter’s haunting, exquisite practice.

Page 2 »
This article was first published online on March 10, 2011.

RELATED STORIES

  • Governor General's Awards 2011: Winning Work

    Canadian Art has special reason to celebrate the Governor General’s Awards in Visual and Media Arts this year: our longtime contributing editor Nancy Tousley was given an Outstanding Contribution Award for her work as a critic. Here, a gallery of work by the other winners, including Michael Morris, Geneviève Cadieux, Robert Fones and more.

  • Brendan Fernandes: Hybrid Heredities

    Our Spring 2011 issue includes a feature by Canadian Art Foundation Writing Prize winner Pandora Syperek on fast-rising emerging artist Brendan Fernandes. This related slideshow of Fernandes' work covers his recent show at New York's Art in General.

  • Full Opening and Event Listings

    Dozens of openings, talks and other events happening from coast to coast this week, March 10 to 16, 2011.

 

FOUNDATION NEWS

More Foundation news

ONLINE

  • Jon Rafman: Mapping Google

    Jon Rafman’s work enjoys a deservedly high profile at this year’s Contact Festival. As Saelan Twerdy observes in this review, Rafman’s stunning, and often funny, Google Street View scenes demonstrate how the Internet is making everything public, from information to intimacy.

  • Spring Auctions: Going Once, Going Twice…

    The auction record for contemporary Canadian art was broken earlier this month in New York with Christie’s $3.6 million sale of a Jeff Wall photograph. This week, Canada’s top houses head into their spring sales hoping to break more records.

  • Keren Cytter: Video Virtuoso

    “Based on a True Story” in Oakville boasts the largest North American survey to date of Keren Cytter, the Tel Aviv–born artist known as one of today’s most intriguing video practitioners. Mariam Nader reviews, finding greatest hits and unexpected delights.

  • Sovereign Acts: Painful Histories, Terrific Performances

    The history of indigenous people performing for colonial audiences inspires "Sovereign Acts,” a current Toronto group show. As Max Mosher writes, the show—featuring Lori Blondeau, Adrian Stimson and others—is both campy and contemplative.

  • Dil Hildebrand: In the Green Room

    Dil Hildebrand is one brave painter. In his new show “Back to the Drawing Board (Reprise),” he stares down the old adage that no one wants to look at a green painting, let alone buy one. There's not just one green painting here—there's a room of them.

More Online

- Advertisements -



- Advertisements -
Report a problem