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Arnaud Maggs Travail des enfants dans l'industrie 'les étiquettes' 1994 Installation view Courtesy Susan Hobbs Gallery / photo Isaac Applebaum |
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A small gilded cage rises up through the central stairwell of the beaux-arts pile that fronts the seaside promenade.
Though the King Tut blockbuster plays big in the AGO’s winter season, the gallery’s contemporary-art space is hosting a different type of monumental show—one of large-scale photography. As Bryne McLaughlin observes, the effort is a success.
The sculptors John McEwen and Dennis Gill and I are running a small skiff down a wilderness river to Georgian Bay. It’s a peaceful late-September afternoon but I know that we’re being watched by moose, deer, birds and beavers. And while there may well be bears out there too, for sure we’ve got one in the boat.
The winner will be published in our magazine and receive a $3,000 award
Toronto's most anticipated art party is slated for Thursday, September 20
Timothy Taylor's feature on Zacharias Kunuk and Douglas Weber's portfolio on Kunuk's hometown recognized
Full talks and tours schedule, Douglas Coupland conversation info, and magazine launch details posted for free day of activities
Applications due May 9 for $55,000 in prizes
Free art tours for high-school students to take place in April and May
New writers on contemporary art encouraged to apply by June 1
Dates already set for next year’s Toronto festival
Applications for this $7,000 student award are due April 6
Event to feature a conversation with Douglas Coupland, gallery tours, a magazine launch and more
Jon Rafman’s work enjoys a deservedly high profile at this year’s Contact Festival. As Saelan Twerdy observes in this review, Rafman’s stunning, and often funny, Google Street View scenes demonstrate how the Internet is making everything public, from information to intimacy.
The auction record for contemporary Canadian art was broken earlier this month in New York with Christie’s $3.6 million sale of a Jeff Wall photograph. This week, Canada’s top houses head into their spring sales hoping to break more records.
“Based on a True Story” in Oakville boasts the largest North American survey to date of Keren Cytter, the Tel Aviv–born artist known as one of today’s most intriguing video practitioners. Mariam Nader reviews, finding greatest hits and unexpected delights.
The history of indigenous people performing for colonial audiences inspires "Sovereign Acts,” a current Toronto group show. As Max Mosher writes, the show—featuring Lori Blondeau, Adrian Stimson and others—is both campy and contemplative.
Dil Hildebrand is one brave painter. In his new show “Back to the Drawing Board (Reprise),” he stares down the old adage that no one wants to look at a green painting, let alone buy one. There's not just one green painting here—there's a room of them.
