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ELIZABETH MCINTOSH'S OPTICAL ENERGIES: AN ONLINE SUPPLEMENT TO THE SUMMER 2010 PRINT EDITION OF CANADIAN ART
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Elizabeth McIntosh Cat 2010 Courtesy Diaz Contemporary / photo Scott Massey |
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In our summer 2010 magazine cover story, contributor Adele Weder unpacks optical energies and conceptual complexities in the abstract imagery of Vancouver painter Elizabeth McIntosh. McIntosh's view of the canvas as "an indefinite expanse" results in notable, boundary-blurring artworks.
Has anyone come along who might supplant Joan Miró as the exemplar of humour in abstract painting?
Materials and techniques are the stated theme for this summer group show. But it could just as easily be painting that doubles as sculpture, or abstraction that edges on figuration. The result is a brain-challenging exhibit that’s surprisingly easy on the eyes.
The winner will be published in our magazine and receive a $3,000 award
Toronto's most anticipated art party is slated for Thursday, September 20
Timothy Taylor's feature on Zacharias Kunuk and Douglas Weber's portfolio on Kunuk's hometown recognized
Full talks and tours schedule, Douglas Coupland conversation info, and magazine launch details posted for free day of activities
Applications due May 9 for $55,000 in prizes
Free art tours for high-school students to take place in April and May
New writers on contemporary art encouraged to apply by June 1
Dates already set for next year’s Toronto festival
Applications for this $7,000 student award are due April 6
Event to feature a conversation with Douglas Coupland, gallery tours, a magazine launch and more
Jon Rafman’s work enjoys a deservedly high profile at this year’s Contact Festival. As Saelan Twerdy observes in this review, Rafman’s stunning, and often funny, Google Street View scenes demonstrate how the Internet is making everything public, from information to intimacy.
The auction record for contemporary Canadian art was broken earlier this month in New York with Christie’s $3.6 million sale of a Jeff Wall photograph. This week, Canada’s top houses head into their spring sales hoping to break more records.
“Based on a True Story” in Oakville boasts the largest North American survey to date of Keren Cytter, the Tel Aviv–born artist known as one of today’s most intriguing video practitioners. Mariam Nader reviews, finding greatest hits and unexpected delights.
The history of indigenous people performing for colonial audiences inspires "Sovereign Acts,” a current Toronto group show. As Max Mosher writes, the show—featuring Lori Blondeau, Adrian Stimson and others—is both campy and contemplative.
Dil Hildebrand is one brave painter. In his new show “Back to the Drawing Board (Reprise),” he stares down the old adage that no one wants to look at a green painting, let alone buy one. There's not just one green painting here—there's a room of them.
