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DAVID ALTMEJD PORTFOLIO: AN ONLINE SUPPLEMENT TO THE FALL 2009 PRINT EDITION OF CANADIAN ART
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David Altmejd Untitled 2006 © David Altmejd / photo Isabelle Hayeur |
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The roster of national finalists for this year’s $50,000 Sobey Art Award is strong. But even the regional semifinal showdowns were quite competitive. Cambridge Galleries proves same in a summer show of Sobey’s Ontario candidates.
Montreal curator Louise Déry had a worldwide hit when she commissioned David Altmejd for the 2007 Venice Biennale. Here’s a slideshow of a more recent international Déry exhibition: “Métamorphosis” in Istanbul, reviewed in the Spring 2009 print edition of Canadian Art.
“Through the Looking Glass” is a thoughtful, A-list-spiked examination of perceptual inversion strategies in contemporary art. And it puts Calgary’s Glenbow Museum back on the map as a major contemporary exhibition venue to boot.
Talk to take place January 26 at the Art Gallery of Ontario
Canadian premiere of new Marina Abramović documentary to be fêted February 22 at the TIFF Bell Lightbox
All our best wishes for the new year to come
Talks by Dan Cameron and Annie Cohen-Solal, free gallery programs among highlights of 2011
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The Canadian Art Foundation is seeking an online production professional to join its team
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Free exhibition at the Power Plant highlights our nation’s emerging painting stars
Award in Portrait Photography category recognizes Donald Weber's artist project in the Fall 2010 issue
More than 300 GTA teens enjoy free downtown-Toronto gallery talks during this fall’s School Hop
In 2010, at the age of 35, Toronto artist/DJ/promoter/activist Will Munro succumbed to brain cancer. Here, David Balzer reviews the first big survey of Munro’s work, which makes apparent how talented, prolific and perceptive this creator was.
The Dulwich Picture Gallery’s recent Group of Seven show was one of the UK museum’s biggest hits ever, drawing 41,000 visitors. The attention was deserved, writes Sarah Milroy, as the exhibition offered new insights even to seasoned Canadian-art observers.
The Occupy movement has galvanized the way we think about haves and have-nots. But where do artists fit in? As Joseph R. Wolin observes in this review of David Altmejd’s show at the Brant Foundation, context can be as powerful as content in determining the split.
What happens to identity when our relationship to land and language is disrupted? This is a key question raised in “A Stake in the Ground,” an exhibition of works by 25 First Nations artists, curated by Nadia Myre, that’s currently at Montreal gallery Art Mûr.
Our education and careers site has just posted more stories and tips to help students achieve a great winter term. Highlights include a profile of internationally renowned fashion designer Jeremy Laing, a Q&A on grad schools and more.
