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Philip Glass performing at the Anna Leonowens Gallery with Bruce Nauman’s Making Faces series in the background ca. 1970 Courtesy NSCAD Archives |
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Every yearbook editor knows there’s much more that goes on than can ever make it into print. So it is with Canadian Art’s Art Schools issue, which hits newsstands coast to coast on December 15, 2008. Luckily, we’ve found a home for key bonus documents on our website.
Art media is often accused of being youth-centric. But when it comes to gauging the quality of art schools, there’s no better evidence, at times, than the quality of their youthful grads. Here, Canadian Art Online offers indepth portfolio views for the 10 top grads detailed in Leah Sandals’s article “The Class of 2008” in the winter print edition of Canadian Art. Take a look, and then keep your eyes open to see how these schools stand up in the future.
Canadian Art’s not the only organization interested in how art schools are doing these days. 2008 has seen a wealth of conferences, panels and exhibitions on the matter. In this video slideshow, Toronto curator Jennifer Cherniack speaks about one such show she recently curated featuring alumni from the University of Manitoba.
The winner will be published in our magazine and receive a $3,000 award
Toronto's most anticipated art party is slated for Thursday, September 20
Timothy Taylor's feature on Zacharias Kunuk and Douglas Weber's portfolio on Kunuk's hometown recognized
Full talks and tours schedule, Douglas Coupland conversation info, and magazine launch details posted for free day of activities
Applications due May 9 for $55,000 in prizes
Free art tours for high-school students to take place in April and May
New writers on contemporary art encouraged to apply by June 1
Dates already set for next year’s Toronto festival
Applications for this $7,000 student award are due April 6
Event to feature a conversation with Douglas Coupland, gallery tours, a magazine launch and more
Jon Rafman’s work enjoys a deservedly high profile at this year’s Contact Festival. As Saelan Twerdy observes in this review, Rafman’s stunning, and often funny, Google Street View scenes demonstrate how the Internet is making everything public, from information to intimacy.
The auction record for contemporary Canadian art was broken earlier this month in New York with Christie’s $3.6 million sale of a Jeff Wall photograph. This week, Canada’s top houses head into their spring sales hoping to break more records.
“Based on a True Story” in Oakville boasts the largest North American survey to date of Keren Cytter, the Tel Aviv–born artist known as one of today’s most intriguing video practitioners. Mariam Nader reviews, finding greatest hits and unexpected delights.
The history of indigenous people performing for colonial audiences inspires "Sovereign Acts,” a current Toronto group show. As Max Mosher writes, the show—featuring Lori Blondeau, Adrian Stimson and others—is both campy and contemplative.
Dil Hildebrand is one brave painter. In his new show “Back to the Drawing Board (Reprise),” he stares down the old adage that no one wants to look at a green painting, let alone buy one. There's not just one green painting here—there's a room of them.
