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Canadian Art

Slideshows

  • Slideshows11.03.2010

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    Althea Thauberger: In Theatre

    Althea Thauberger’s striking collaborations with Canada’s women soldiers in Afghanistan made the cover of the spring 2010 edition of Canadian Art. Here, we offer more images from Thauberger’s compelling reworkings of our war-artist tradition.
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  • Slideshows11.03.2010

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    John Will: The Sage and the Wise Guy

    In the spring 2010 edition of Canadian Art, Calgary painter Chris Cran profiles his longtime Cowtown colleague John Will, a figure who ranges from painterly sage to art-world wise guy. This special online portfolio shows the wide swath of Will’s work.
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  • Slideshows11.03.2010

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    Governor General’s Awards 2010: Visual Victories

    Though the number of art prizes in Canada is growing, the Governor General’s Awards remain the ultimate acknowledgement of a Canadian artist’s career. Here, we offer a quick look at the work of all eight of this year’s honourees.
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  • Slideshows11.03.2010

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    Vincent Honoré: Highlighting Toronto Artists

    In his spring 2010 article for Canadian Art magazine, Paris- and London-based curator Vincent Honoré meditated on patterns of artmaking he recently observed in Toronto. This bonus portfolio shows work from several artists noted in Honoré’s essay.
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  • Slideshows11.03.2010

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    Ian Wallace: West Coast Hero

    Vancouver’s Ian Wallace has been going strong for more than four decades, and, as Tate Modern curator Jessica Morgan notes in a spring 2010 article for Canadian Art, his influence is still growing. This image album recaps Wallace’s conceptual credentials.
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  • Slideshows11.03.2010

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    Reel Artists Album: Premiere Pictures

    Reel Artists 2010 was full of highlights. This album includes pics from the gala Canadian premiere of Jean-Michel Basquiat: The Radiant Child, the sold-out world premiere of Fold, Crumple, Crush: The Art of El Anatsui and much more.
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  • Slideshows10.12.2009

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    John Dickson Portfolio: Dark Magic

    From ships in a bottle to cardboard cities, Toronto artist John Dickson has an uncanny knack for the alchemy of ordinary materials, a truth writer R.M. Vaughan makes clear in the winter 2009 edition of Canadian Art magazine. This special online bonus portfolio recaps a decade’s worth of Dickson’s creative chaos.
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  • Audio10.12.2009

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    More on Arthur Renwick: Riffs and Representations

    In the winter 2009 print edition of Canadian Art, writer Daniel Baird examines the portrait projects of artist Arthur Renwick. This special online supplement offers more examples of Renwick's striking photography, as well as samples of a very different form of Renwick's creative work—his blues-inspired music.
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  • Slideshows10.12.2009

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    Iris Häussler's Projects: Elusive Illusions

    In the winter 2009 edition of Canadian Art magazine, Toronto critic Gillian MacKay takes on the imaginative, enigmatic installations of German-born artist Iris Häussler. These online bonus images give further glimpses into the projects that have made Häussler a key name in Canadian artmaking.
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  • Slideshows10.12.2009

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    Artistic Olympic Picks: Vancouver Virtues

    Though the 2010 Winter Olympics don’t officially begin until this coming February, Vancouver’s cultural landscape is already transforming in anticipation of the games. Here, in a special online supplement to the Newsfront section of our winter 2009 magazine, a slideshow of nine images highlights Olympic art projects by Canadian and international artists.
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  • Slideshows10.12.2009

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    Gallery Hop Gala Album: Seen on the Scene

    Attended by patrons, curators, artists and dealers, Canadian Art’s annual fundraising gala is always a good time for a great cause. This 12-image portfolio shows some of the revellers at this year’s event, held September 24 at the KoolHaus in Toronto.
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  • Slideshows10.09.2009

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    Adad Hannah: Intervening in History

    Adad Hannah’s carefully staged video tableaux of pre-existing images have become hallmarks of the Montreal-based artist’s practice over the past few years.
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  • Slideshows10.09.2009

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    Kelly Richardson: Hyperreal Life

    U.K.-based artist Kelly Richardson’s surreal video landscapes inspire Toronto writer David Jager to consider the nature of reality and disbelief in our image-saturated society in the fall 2009 print edition of Canadian Art.
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  • Slideshows10.09.2009

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    Corin Sworn: Radical Utopias

    Failed modern utopias and childhood radicalism drive the work of artist Corin Sworn.
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  • Slideshows10.09.2009

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    Gareth Moore: Art and Life, on the Road

    Vancouver artist Gareth Moore has made a name for himself through his wry performances and complex ephemeral sculptures that blur the lines between art and life.
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FOUNDATION NEWS

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ONLINE

  • On Newsstands & Online Now: Canadian Art Spring 2010

    The spring issue of Canadian Art hits newsstands and computer screens across the country this week, offering many must-read articles. Web extras on cover artist Althea Thauberger and the 2010 Governor General’s Awards also excite.

  • Adrian Norvid: Wrongo

    In his latest solo show, Adrian Norvid mashes up art-world fundraiser antics with exquisite-corpse techniques. Add in DIY flair and painstaking attention to detail, and you’ve got another wild voyage into Norvid’s wacky parallel universe.

  • Photogenic: Imaging the Abstract

    Libraries of books have been written on abstraction in painting. But it’s abstraction in photography that gets the focus with “Photogenic,” a Vancouver show that features 1920s work by László Moholy-Nagy alongside contemporary artists’ prints.

  • Posing Beauty in African American Culture: Colour Fields

    Hamilton is the only Canadian stop for a new exhibition, curated by NYU photo chair Deborah Willis, that interrogates notions of beauty and blackness. As reviewer Sally Frater observes, Willis’ approach provides antidotes to some longstanding art conundrums.

  • David Merritt: Roping Viewers In

    David Merritt is having a quartet of related exhibitions in southern Ontario this year. In his review of the project’s first iteration, “shim,” Sky Glabush marvels at Merritt’s ability to meander between objective clarity and deferred, slippery potential.

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