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Déja: Past Perfect

Musée d’art contemporain de Montréal May 26 to Sep 4 2011
Louise Bourgeois  <em>The Red Room – Child</em> 1994 Courtesy Musée d’art contemporain de Montréal © Succession de Louise Bourgeois / SODRAC (Montréal) VAGA (New York) Louise Bourgeois The Red Room – Child 1994 Courtesy Musée d’art contemporain de Montréal © Succession de Louise Bourgeois / SODRAC (Montréal) VAGA (New York)

Louise Bourgeois <em>The Red Room – Child</em> 1994 Courtesy Musée d’art contemporain de Montréal © Succession de Louise Bourgeois / SODRAC (Montréal) VAGA (New York)

As if acquiescing to the difficulties of presenting a summer exhibition from the collection of a mid-sized institution, the Musée d’art contemporain de Montréal has titled their current show “Déjà”—the French term for “already.” The work has, for the most part, already been exhibited at the museum, and the challenge for curator Josée Bélisle has been to make previously seen work appear fresh and relevant. Responding to this challenge, Bélisle has chosen to present a relatively small selection of pieces, using this opportunity to fill the galleries with large-scale sculpture and installation from David Altmejd, Louise Bourgeois and Richard Serra, among others. The art is presented alongside remarkably long, yet tasteful and accessible, didactic texts that contextualize the works and point to the importance of their place in the collection. The result is a show worth seeing—and, perhaps, even seeing again.

This article was first published online on August 18, 2011.

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