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Canadian Art

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Triumphant Carrot: The Persistence of Still Life

Contemporary Art Gallery, Vancouver Jun 4 to Aug 22 2010
Sam Taylor-Wood  <I>A Little Death</I> 2002  Film still Courtesy White Cube © Sam Taylor-Wood
Sam Taylor-Wood A Little Death 2002 Film still Courtesy White Cube © Sam Taylor-Wood

Sam Taylor-Wood A Little Death 2002 Film still Courtesy White Cube © Sam Taylor-Wood




Summer group shows can often be seen as sleepy. Make the theme still lifes, and culturati will suspect a real snorer. But the wittily titled “Triumphant Carrot” blockbuster brings excitement to the genre (and season) with top-flight artists and diverse works. Yes, all the old standby subjects are here—fruits, vases, flowers and candlesticks, to name just a few—but all are spun in fresh directions. For instance, Peter Fischli and David Weiss' mid 1980s photographs turn kitchen-counter fare into Calderesque mobiles. Jayce Salloum's snapshots of vibrant flora take over the corner of a room, blooming out of the site's architecture. Eric Cameron's Beer Can-Can (1248), like other works in his "thick paintings" series, encases an object in dense layers of form-hugging paint, expanding its sculptural life in four dimensions. Sam Taylor-Wood takes what looks like a traditional still-life scene—a dead rabbit and a ripe peach—and speeds their decomposition filmically, highlighting the real ephemerality of art-frozen biota. Liz Magor continues to offer disturbing simulcra of contemporary life's detritus, be it cigarette butts or roadkilled animals. And James Carl's Thing's End delivers a different angle on everyday objects, presenting the viewer with stiff clay versions of that most flexible of junk-drawer cram, the rubber band. Rounded out by work from Kelly Mark, Jeff Wall, Rodney Graham and 20 other well-regarded contemporary artists, "Triumphant Carrot: The Persistence of Still Life" promises to paint a pleasing picture of the way summer group exhibitions—you know, those other preordained montages of motionless objects—can hope to regain relevance in the future. (555 Nelson St, Vancouver BC)

www.contemporaryartgallery.ca

This article was first published online on July 29, 2010.

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