-- Advertisement --

-- Advertisement --

Canadian Art

See It

Sara Graham: Civic Disturbances

MKG127, Toronto May 29 to Jun 26 2010
Sara Graham <i>Yellow Pipe Prototype (Schedule 40-G-01)</i> 2010 / photo Jennifer Rose Sciarrino Sara Graham Yellow Pipe Prototype (Schedule 40-G-01) 2010 / photo Jennifer Rose Sciarrino

Sara Graham <i>Yellow Pipe Prototype (Schedule 40-G-01)</i> 2010 / photo Jennifer Rose Sciarrino

With security preparations for the G20 summit cordoning off Toronto’s downtown core, residents have had no choice but to rethink the way they use the city. Some see this disruption as a necessary inconvenience or a healthy dose of global reality; but it also raises questions about the mutability of basic urban infrastructures. Toronto artist Sara Graham takes a closer look at this notion of disrupted networks in the exhibition "The London Series," currently on view at MKG127. In past works, Graham has deconstructed the psychogeographies of institutional architectures and urban planning for installations grounded in real, if obscure, regional histories. For "The London Series," Graham brings together the utopian and the historical in an investigation of what she calls the “invisible urban infrastructures” of London, Ontario. In a suite of digitally rendered drawings on Plexiglas that are based on a late-19th century fire-insurance map, Graham reorients and updates the city’s historical urban grid into a three-dimensional play of line and shadow. Here, basic city networks have been expanded and abstracted, with overlapping foundations and distorted verticalities adding up to a new view of civic cartography. Showing alongside the drawings is a set of three sculptural works constructed from industrial-grade pipe. Citing the hidden network of underground gas lines as a prime example of “arbitrary systems that privilege economics over urban aesthetics,” Graham’s sculptures propose to reverse this polarity in a beautified version of an otherwise unsightly fixture of the city environment. In all, Graham’s work offers the insight that—G20 or not—there is beauty in and beneath the city that perhaps only a disruption of the expected can reveal. (127 Ossington Ave, Toronto ON)

This article was first published online on June 24, 2010.

RELATED STORIES

  • Katie Bethune-Leamen: Public Images Limited

    Mashing up 1980s pop bands, early polar explorers and WW1-era ships, Katie Bethune-Leamen’s recent show referenced many influences. Here, critic Lee Henderson observes that Bethune-Leamen’s approach called art itself into question.

  • Michael Dumontier: Drawing on Minimalism, and Maturity

    Former Royal Art Lodge member Michael Dumontier had his first Canadian solo show in Toronto this fall. As Bill Clarke notes, Dumontier seems to have been the group’s minimalist, as well as its most childlike soul.

  • Paul Butler

    Few individuals move so effortlessly among the categories of artist, dealer and curator as Winnipeg’s Paul Butler.

 

FOUNDATION NEWS

More Foundation news

ONLINE

  • Jon Rafman: Mapping Google

    Jon Rafman’s work enjoys a deservedly high profile at this year’s Contact Festival. As Saelan Twerdy observes in this review, Rafman’s stunning, and often funny, Google Street View scenes demonstrate how the Internet is making everything public, from information to intimacy.

  • Spring Auctions: Going Once, Going Twice…

    The auction record for contemporary Canadian art was broken earlier this month in New York with Christie’s $3.6 million sale of a Jeff Wall photograph. This week, Canada’s top houses head into their spring sales hoping to break more records.

  • Keren Cytter: Video Virtuoso

    “Based on a True Story” in Oakville boasts the largest North American survey to date of Keren Cytter, the Tel Aviv–born artist known as one of today’s most intriguing video practitioners. Mariam Nader reviews, finding greatest hits and unexpected delights.

  • Sovereign Acts: Painful Histories, Terrific Performances

    The history of indigenous people performing for colonial audiences inspires "Sovereign Acts,” a current Toronto group show. As Max Mosher writes, the show—featuring Lori Blondeau, Adrian Stimson and others—is both campy and contemplative.

  • Dil Hildebrand: In the Green Room

    Dil Hildebrand is one brave painter. In his new show “Back to the Drawing Board (Reprise),” he stares down the old adage that no one wants to look at a green painting, let alone buy one. There's not just one green painting here—there's a room of them.

More Online

- Advertisements -



- Advertisements -
Report a problem