-- Advertisement --

                           

-- Advertisement --

Canadian Art

See It

Roy Arden: Mural, Mural on the Wall

Monte Clark Gallery, Vancouver Oct 8 to 31 2009
Roy Arden  <I>People of British Columbia (#3)</I>  2009  Courtesy of Roy Arden and Monte Clark Gallery
Roy Arden People of British Columbia (#3) 2009 Courtesy of Roy Arden and Monte Clark Gallery

Roy Arden People of British Columbia (#3) 2009 Courtesy of Roy Arden and Monte Clark Gallery



Close Move



The noted Vancouver photographer Roy Arden recently launched his practice into the public-art realm with two mural commissions for the Vancouver Convention Centre’s expansion project. Recreated in this current show at his Vancouver gallery, together with a series of other photo works, the murals, Big House and People of British Columbia, are comprised of historic photo images from the Vancouver Public Library. Arden collages these into an epic statement of early 20th-century British Columbia that counterpoints the politics of land, economy and race with landscapes of leisure and the sublime, pitting the social realm against its escape. With Whitmanesque complexity, Arden takes a panoramic array of material and creates a rough-edged nostalgia of place. (2339 Granville St, Vancouver BC)

This article was first published online on October 22, 2009.

RELATED STORIES

  • Graham Gillmore: Rejection Letters Redux

    BC painter Graham Gillmore uses a characteristically playful style to take on the pains of rejection in “Refusalon,” his latest exhibition at Monte Clark Gallery. In it, he aims to balance both the deflation of losing out and the delights of levity.

  • Bowie: When Art-Rock Rocks Art

    Chameleonic pop icon David Bowie—who happens to have a studio art practice himself—provides grist for the creative mill in a summer group show at Clark and Faria in Toronto. In it, tropes from hairstyles to high abstraction get remixed, art-rock-star style.

  • Douglas Coupland: Mom and Dad

    Douglas Coupland interweaves artistic and biological lineages in his latest exhibition in Vancouver. Working with mixtures of wigs and hair, the result is a mix of darker and brighter (or, perhaps, blonder) symbols and symmetries.

 

FOUNDATION NEWS

More Foundation news

ONLINE

  • In Conversation: Robert Gober on Charles Burchfield

    Co-curated by acclaimed artist Robert Gober, “Heat Waves in a Swamp: The Paintings of Charles Burchfield” received high praise during an LA stop last fall. Now, with the show on at Buffalo’s Burchfield Penney Art Center, critic Ashley Johnson talks with Gober about regionalism, realism and reinvention.

  • Wangechi Mutu: This You Call Civilization?

    In her first solo show at a major North American institution, the Nairobi-born, New York–based artist Wangechi Mutu presents arresting videos and visceral, large-scale collage works. Here, Gabrielle Moser notes the impressive tensions in Mutu’s art.

  • Marie-Claire Blais: Interstellar Overdrive

    Light and luminosity have long been top concerns for Montreal artist Marie-Claire Blais. But as Bryne McLaughlin notes, Blais’ latest show of works—created using an auto-industry spray gun—reaches towards a sense of the cosmic as well.

  • Myfanwy MacLeod: The High-Art Lowdown

    Myfanwy MacLeod is known for forays into modernism’s iconic moments as well as for delving into the vernacular. Here, National Gallery curator Josée Drouin-Brisebois reviews MacLeod’s latest show with an eye to her “high” and “low” influences.

  • FIFA 2010: The Flicks to Pick

    This week, the 28th edition of the Festival International du Film sur l’Art gets underway in Montreal with screenings of 230 films from 23 countries. Here’s Canadian Art’s top FIFA picks for contemporary-art fans.

More Online

- Advertisements -



- Advertisements -
Report a problem