-- Advertisement --

                           

-- Advertisement --

Canadian Art

See It

Guo Jin: Child’s Play

Gibsone Jessop Gallery, Toronto May 13 to Aug 31 2009
Guo Jin  <I>Untitled No. 3</I>  2009  Courtesy of Gibsone Jessop Guo Jin Untitled No. 3 2009 Courtesy of Gibsone Jessop

Guo Jin <I>Untitled No. 3</I> 2009 Courtesy of Gibsone Jessop

The paintings of Chinese artist Guo Jin look as if they are corroding and flaking to pieces. It’s an unsettling effect, given that they depict children lost in imaginative play. However, this merging of cruel reality with “the beauty of ideals” is deliberate. Those rusty-looking layers—the result of a three-stage painting process—suggest ravages of time that force the viewer to negotiate the discordance with the subject matter, raising a sense of melancholy. The children’s features are simplified through Jin’s straightforward brushstrokes that designate the children not as individuals but as stand-ins for childhood experience itself, ours included. Their indistinct gestures, made blurry at times by layers of paint, leave us to fill in the gaps and complete the story—adding complexity and narrative depth to an already enchanting scene. (55 Mill St bldg 4, Toronto, ON)

This article was first published online on July 30, 2009.

RELATED STORIES

 

FOUNDATION NEWS

More Foundation news

ONLINE

  • Will Munro: Ecstatic Legacies

    In 2010, at the age of 35, Toronto artist/DJ/promoter/activist Will Munro succumbed to brain cancer. Here, David Balzer reviews the first big survey of Munro’s work, which makes apparent how talented, prolific and perceptive this creator was.

  • Painting Canada: Artistry in the UK

    The Dulwich Picture Gallery’s recent Group of Seven show was one of the UK museum’s biggest hits ever, drawing 41,000 visitors. The attention was deserved, writes Sarah Milroy, as the exhibition offered new insights even to seasoned Canadian-art observers.

  • David Altmejd: In the Belly of the Beast

    The Occupy movement has galvanized the way we think about haves and have-nots. But where do artists fit in? As Joseph R. Wolin observes in this review of David Altmejd’s show at the Brant Foundation, context can be as powerful as content in determining the split.

  • A Stake in the Ground: When Language Wounds

    What happens to identity when our relationship to land and language is disrupted? This is a key question raised in “A Stake in the Ground,” an exhibition of works by 25 First Nations artists, curated by Nadia Myre, that’s currently at Montreal gallery Art Mûr.

  • Canadianartschool.ca: Tips for a Successful Winter Term

    Our education and careers site has just posted more stories and tips to help students achieve a great winter term. Highlights include a profile of internationally renowned fashion designer Jeremy Laing, a Q&A on grad schools and more.

More Online

- Advertisements -



- Advertisements -
Report a problem