-- Advertisement --

                           

-- Advertisement --

Canadian Art

See It

Vermeer, Rembrandt and the Golden Age of Dutch Art: Masters Redux

Vancouver Art Gallery May 10 to Sep 13 2009
Jacob Marrel  <I>Page from a Tulip Book</I>  1640  Copyright Rijksmuseum Amsterdam Jacob Marrel Page from a Tulip Book 1640 Copyright Rijksmuseum Amsterdam

Jacob Marrel <I>Page from a Tulip Book</I> 1640 Copyright Rijksmuseum Amsterdam

When the Group of Seven started out, the assured polish of Dutch art was the nemesis of Canada’s homegrown proto-modernists. The Netherlands' seemingly eternal establishment art provided the aesthetic yardstick by which all other art was judged, so the feeling was “move over 17th century and make room for the 20th.” Be that as it may, there’s no denying that the Dutch set standards with the work of Rembrandt, Hals, Vermeer and others. So it’s exciting to consider the remarkable gathering of more than a hundred works at the Vancouver Art Gallery direct from the Rijksmuseum in Amsterdam. It’s the largest exhibition of Dutch historical art ever held in Canada. Divided into eight thematic sections that include city, landscape, portraiture and scenes of everyday life, it is a show with wide resonance for the contemporary photographic art that has put Vancouver on the map and into present-day history books. (750 Hornby St, Vancouver BC)

This article was first published online on May 7, 2009.

RELATED STORIES

  • Reece Terris: Murphy’s Law and Crown Mouldings

    Artist Reece Terris has been on a roller-coaster ride this year. His six-storey, six-decade apartment installation for the Vancouver Art Gallery has been challenged by weather, rescheduling and technical puzzles. It may be a case of Murphy's Law, but Terris continues on.

  • Shadows: Edges of the World

    A major survey on shadows in art makes for a Madrid must-see. Featuring Picasso, Hopper, Rembrandt and more, this thematic show hints at both the bright and the dark on the edges of art history.

  • How Soon Is Now: BC's Biennale

    Last year’s Quebec Triennial reminded viewers of the energy and diversity of its regional art scene. “How Soon Is Now” at the Vancouver Art Gallery promises a similar foray for British Columbia–based artists, positioning energetic west-coast production in a global sphere.

 

FOUNDATION NEWS

More Foundation news

ONLINE

  • Will Munro: Ecstatic Legacies

    In 2010, at the age of 35, Toronto artist/DJ/promoter/activist Will Munro succumbed to brain cancer. Here, David Balzer reviews the first big survey of Munro’s work, which makes apparent how talented, prolific and perceptive this creator was.

  • Painting Canada: Artistry in the UK

    The Dulwich Picture Gallery’s recent Group of Seven show was one of the UK museum’s biggest hits ever, drawing 41,000 visitors. The attention was deserved, writes Sarah Milroy, as the exhibition offered new insights even to seasoned Canadian-art observers.

  • David Altmejd: In the Belly of the Beast

    The Occupy movement has galvanized the way we think about haves and have-nots. But where do artists fit in? As Joseph R. Wolin observes in this review of David Altmejd’s show at the Brant Foundation, context can be as powerful as content in determining the split.

  • A Stake in the Ground: When Language Wounds

    What happens to identity when our relationship to land and language is disrupted? This is a key question raised in “A Stake in the Ground,” an exhibition of works by 25 First Nations artists, curated by Nadia Myre, that’s currently at Montreal gallery Art Mûr.

  • Canadianartschool.ca: Tips for a Successful Winter Term

    Our education and careers site has just posted more stories and tips to help students achieve a great winter term. Highlights include a profile of internationally renowned fashion designer Jeremy Laing, a Q&A on grad schools and more.

More Online

- Advertisements -



- Advertisements -
Report a problem