-- Advertisement --

                           

-- Advertisement --

Canadian Art

See It

Shanghai Kaleidoscope: Global China and the 21st Century

Royal Ontario Museum, Toronto May 4 to Nov 2 2008
Yang Zhenzhong  <i>Let’s Puff</i>  2002  Installation view  Courtesy of the artist and the Haudenschild Collection
Yang Zhenzhong Let’s Puff 2002 Installation view Courtesy of the artist and the Haudenschild Collection

Yang Zhenzhong Let’s Puff 2002 Installation view Courtesy of the artist and the Haudenschild Collection




Two shows at the Royal Ontario Museum bring us up to date on the past, present and future of the dominant cultural engine in China, the city of Shanghai.

A seaport defined in the 19th century by corruption, casinos and the opium trade during the height of European imperialism, Shanghai is now a laboratory for 21st-century urban design. At the ROM’s Institute for Contemporary Culture, “Shanghai Kaleidoscope” focuses on four key aspects of its new cultural life: art, fashion, urban design and architecture.

A fascinating complement to this contemporary overview is “Shanghai 1860–1949,” a selection of 80 historical images that tell the story of the city from its opening to the West to its mid-century revolutions. It runs in the ROM’s Herman Herzog Levy Gallery until October 26. (100 Queen’s Park, Toronto ON)

This article was first published online on May 8, 2008.

RELATED STORIES

  • Burrow: Our Shelter Fetish

    With a snack bar bomb shelter, a privacy-free bedroom and a sleeping-bag-stuffed den, the human impulse to seek safety and create a sense of protected isolation is taken to the farthest reaches of rationality by four Canadian artists in “Burrow,” a touring exhibition on view in Halifax.

  • MANIF 4: A Certain Je Ne Sais Toi

    When our nation’s anglo culturati get together for a little misery-loves-company love-in, a particular (if needless) complaint often surfaces: “Why are there no Canadian biennials?” Of course, the reason these complaints are so needless (and so niggling) is that there are already some good internationally inclusive biennials north of the 49th.

  • Informal Architectures: Eureka!

    Bolstered by a Tate Modern symposium, the 15 Canadian and international artists in “Informal Architectures” meditate on the skewed utopianism—complete with massive shopping malls, four-car garages and an ever-encroaching presence on the natural landscape—that has come to define modern urban life.

 

FOUNDATION NEWS

More Foundation news

ONLINE

  • Sol LeWitt: Primary Legacy

    In recent years, both the Dia and MASS MoCA have mounted tribute exhibitions to late American artist Sol LeWitt. This week, Mercer Union wraps up its own notable homage, which recreates a 1981 wall drawing LeWitt did for the then-fledgling space.

  • The Khyber Controversy: Three Years' Grace

    For the past number of years, there's been controversy regarding the future of Halifax’s Khyber Arts Society. Seen by many as a key venue locally and nationally, the Khyber was back in the news this month as a city report recommended a new three-year plan for its space.

  • Todd Tremeer: War Games

    Play and strife come together, DIY style, in Todd Tremeer’s Little Wars (Make Me), an interactive project that debuted this month at the Art Gallery of Greater Victoria. In it, viewers can collaborate on a wall-sized battle mural and “bring the war home” via paper-cutout soldiers.

  • John Kissick/Gwen MacGregor: Two for the Road

    Summer is often marked by contrasts, a dynamic that the Kitchener-Waterloo Art Gallery seems to pick up on in its current pairing of solo shows: John Kissick’s manic, multifaceted paintings and Gwen MacGregor’s calm, geoscience-toned fieldwork.

  • Heat: Marvelous Meltdowns

    MKG127 acknowledges Toronto’s above-average summer temperatures with “Heat,” an exhibition that ironically offers some cool respite while displaying works that evoke bubbling tar, existential crises and blistering guitar solos.

More Online

- Advertisements -



- Advertisements -
Report a problem