-- Advertisement --

                           

-- Advertisement --

Canadian Art

See It

Liz Magor: Beggar’s Banquet for the Disenchanted

Equinox Gallery, Vancouver Apr 11 to May 17 2008
Liz Magor  “Mouth:Full”  2008  Installation view Liz Magor “Mouth:Full” 2008 Installation view

Liz Magor “Mouth:Full” 2008 Installation view

Liz Magor gets better and better. In her new show at Equinox Gallery, the BC-based artist lays out a series of overlapping tables set with strange sculptural victuals. Food crumbs, candy wrappers, cigarette butts, clothing and other individual items are piled and shaped into discrete works that sometimes include inert small animal forms. Together, they make a beggar’s banquet for the disenchanted, a statement on consumerism run amuck.

The American essayist Bill McKibben, in his book Enough: Staying Human in an Engineered Age, explores what he calls the “enough point,” the point where consumption becomes irretrievably destructive and rational thought says “enough.” Magor’s show frames that uniquely contemporary landscape. Its title is “Mouth:Full,” a more visceral way of expressing the same thought. (2321 Granville St, Vancouver BC)

This article was first published online on April 17, 2008.

RELATED STORIES

  • Back-door Beauty

    Fifteen years of frottage painting by Gerald Ferguson

  • Balint Zsako in Review: Mythic… and a Little Bit Dirty

    Balint Zsako’s practice is often described as quirky, disturbing, otherworldly and a little bit dirty. But despite all of the swollen sex organs and pendulous breasts on view, his work doesn’t feel pornographic; rather, it feels mythic.

  • Speakeasy Audio: Jungen and Gaitán Tune in to Frontier Frequencies

    In an era where high-speed communication and global connectivity are an irrepressible part of daily life, it may seem somewhat anachronistic or nostalgic to think of community broadcasting as a powerful medium. After all, with their limited ranges and resources, locally based radio or television stations are no match for the far and wide broadcast power of corporate or public media empires.

 

FOUNDATION NEWS

More Foundation news

ONLINE

  • Will Munro: Ecstatic Legacies

    In 2010, at the age of 35, Toronto artist/DJ/promoter/activist Will Munro succumbed to brain cancer. Here, David Balzer reviews the first big survey of Munro’s work, which makes apparent how talented, prolific and perceptive this creator was.

  • Painting Canada: Artistry in the UK

    The Dulwich Picture Gallery’s recent Group of Seven show was one of the UK museum’s biggest hits ever, drawing 41,000 visitors. The attention was deserved, writes Sarah Milroy, as the exhibition offered new insights even to seasoned Canadian-art observers.

  • David Altmejd: In the Belly of the Beast

    The Occupy movement has galvanized the way we think about haves and have-nots. But where do artists fit in? As Joseph R. Wolin observes in this review of David Altmejd’s show at the Brant Foundation, context can be as powerful as content in determining the split.

  • A Stake in the Ground: When Language Wounds

    What happens to identity when our relationship to land and language is disrupted? This is a key question raised in “A Stake in the Ground,” an exhibition of works by 25 First Nations artists, curated by Nadia Myre, that’s currently at Montreal gallery Art Mûr.

  • Canadianartschool.ca: Tips for a Successful Winter Term

    Our education and careers site has just posted more stories and tips to help students achieve a great winter term. Highlights include a profile of internationally renowned fashion designer Jeremy Laing, a Q&A on grad schools and more.

More Online

- Advertisements -



- Advertisements -
Report a problem