-- Advertisement --

                           

-- Advertisement --

Canadian Art

See It

BGL: We're on a Boat to Nowhere

Toronto Apr 19 to Jun 29 2008
Setting up BGL’s <i>Project for the Don River</i>, April 2008.
Setting up BGL’s Project for the Don River, April 2008.

Setting up BGL’s Project for the Don River, April 2008.




Though it is now crisscrossed by highways and laced with trash, the Don River in Toronto was once a place so clean that children actually flocked to swim there in the summer.

As with many of Canada’s urban rivers, the Don’s sad state symbolizes a general neglect for the environment that coexists with increasing demand for things like organic coffee (now available at 7-11) and pesticide-free lawns.

But soon, perhaps, we may have some new symbols to articulate our environmental contradictions.

Last fall, a new Toronto curatorial agency called No. 9 commissioned Quebecois artist collective BGL to create a public art project for the southern Don River. The completed project, to be launched this Saturday (April 19) consists of two elements: The first is a black, 25-foot scale model of a luxury cruise ship christened the Nowhere 2, which will be anchored on the river. The second is a massive, 15-foot life preserver that will be attached to a bridge. Both elements will be visible from nearby bike paths, highways and commuter railways.

As No. 9 programming director Catherine Dean explains, “We hope for the project that a lot of people see it and think about why it’s there. It’s not a didactic piece, it’s more subtle. You can think about a cruise ship, how people never get off it to experience a place, and then this life ring, which could imply an impending emergency.”

Along the same lines in the next few weeks, No. 9 will also be launching an exhibit of work from Icelandic Love Corporation at Pearson International Airport. That photo series, Dynasty, “imagines a world where climate change has made cold weather a memory, and wealthy housewives take a luxury vacation on one of the last remaining snowcaps.”

But it’s not all doom and gloom: No. 9’s brochures and website list actions citizens can take to reduce their environmental impact at home. It may not be as fun as a cruise to, say, disconnect a downspout, but it’s more soothing, in the end, than keeping a life ring permanently on hand.

This article was first published online on April 17, 2008.

RELATED STORIES

  • Biennale Beyond Borders

    Reportage, shifting identities, hybridity and the return of the museum of curiosities”— images flood into my head as the curator Wayne Baerwaldt uses these words to describe the themes of the upcoming Biennale de Montréal.

 

FOUNDATION NEWS

More Foundation news

ONLINE

  • Sol LeWitt: Primary Legacy

    In recent years, both the Dia and MASS MoCA have mounted tribute exhibitions to late American artist Sol LeWitt. This week, Mercer Union wraps up its own notable homage, which recreates a 1981 wall drawing LeWitt did for the then-fledgling space.

  • The Khyber Controversy: Three Years' Grace

    For the past number of years, there's been controversy regarding the future of Halifax’s Khyber Arts Society. Seen by many as a key venue locally and nationally, the Khyber was back in the news this month as a city report recommended a new three-year plan for its space.

  • Todd Tremeer: War Games

    Play and strife come together, DIY style, in Todd Tremeer’s Little Wars (Make Me), an interactive project that debuted this month at the Art Gallery of Greater Victoria. In it, viewers can collaborate on a wall-sized battle mural and “bring the war home” via paper-cutout soldiers.

  • John Kissick/Gwen MacGregor: Two for the Road

    Summer is often marked by contrasts, a dynamic that the Kitchener-Waterloo Art Gallery seems to pick up on in its current pairing of solo shows: John Kissick’s manic, multifaceted paintings and Gwen MacGregor’s calm, geoscience-toned fieldwork.

  • Heat: Marvelous Meltdowns

    MKG127 acknowledges Toronto’s above-average summer temperatures with “Heat,” an exhibition that ironically offers some cool respite while displaying works that evoke bubbling tar, existential crises and blistering guitar solos.

More Online

- Advertisements -



- Advertisements -
Report a problem