-- Advertisement --

                           

-- Advertisement --

Canadian Art

See It

BGL: We're on a Boat to Nowhere

Toronto Apr 19 to Jun 29 2008
Setting up BGL’s <i>Project for the Don River</i>, April 2008.
Setting up BGL’s Project for the Don River, April 2008.

Setting up BGL’s Project for the Don River, April 2008.



Close Move



Though it is now crisscrossed by highways and laced with trash, the Don River in Toronto was once a place so clean that children actually flocked to swim there in the summer.

As with many of Canada’s urban rivers, the Don’s sad state symbolizes a general neglect for the environment that coexists with increasing demand for things like organic coffee (now available at 7-11) and pesticide-free lawns.

But soon, perhaps, we may have some new symbols to articulate our environmental contradictions.

Last fall, a new Toronto curatorial agency called No. 9 commissioned Quebecois artist collective BGL to create a public art project for the southern Don River. The completed project, to be launched this Saturday (April 19) consists of two elements: The first is a black, 25-foot scale model of a luxury cruise ship christened the Nowhere 2, which will be anchored on the river. The second is a massive, 15-foot life preserver that will be attached to a bridge. Both elements will be visible from nearby bike paths, highways and commuter railways.

As No. 9 programming director Catherine Dean explains, “We hope for the project that a lot of people see it and think about why it’s there. It’s not a didactic piece, it’s more subtle. You can think about a cruise ship, how people never get off it to experience a place, and then this life ring, which could imply an impending emergency.”

Along the same lines in the next few weeks, No. 9 will also be launching an exhibit of work from Icelandic Love Corporation at Pearson International Airport. That photo series, Dynasty, “imagines a world where climate change has made cold weather a memory, and wealthy housewives take a luxury vacation on one of the last remaining snowcaps.”

But it’s not all doom and gloom: No. 9’s brochures and website list actions citizens can take to reduce their environmental impact at home. It may not be as fun as a cruise to, say, disconnect a downspout, but it’s more soothing, in the end, than keeping a life ring permanently on hand.

This article was first published online on April 17, 2008.

RELATED STORIES

  • Biennale Beyond Borders

    Reportage, shifting identities, hybridity and the return of the museum of curiosities”— images flood into my head as the curator Wayne Baerwaldt uses these words to describe the themes of the upcoming Biennale de Montréal.

 

FOUNDATION NEWS

More Foundation news

ONLINE

  • On Newsstands & Online Now: Canadian Art Spring 2010

    The spring issue of Canadian Art hits newsstands and computer screens across the country this week, offering many must-read articles. Web extras on cover artist Althea Thauberger and the 2010 Governor General’s Awards also excite.

  • Adrian Norvid: Wrongo

    In his latest solo show, Adrian Norvid mashes up art-world fundraiser antics with exquisite-corpse techniques. Add in DIY flair and painstaking attention to detail, and you’ve got another wild voyage into Norvid’s wacky parallel universe.

  • Photogenic: Imaging the Abstract

    Libraries of books have been written on abstraction in painting. But it’s abstraction in photography that gets the focus with “Photogenic,” a Vancouver show that features 1920s work by László Moholy-Nagy alongside contemporary artists’ prints.

  • Posing Beauty in African American Culture: Colour Fields

    Hamilton is the only Canadian stop for a new exhibition, curated by NYU photo chair Deborah Willis, that interrogates notions of beauty and blackness. As reviewer Sally Frater observes, Willis’ approach provides antidotes to some longstanding art conundrums.

  • David Merritt: Roping Viewers In

    David Merritt is having a trio of related exhibitions in southern Ontario this year. In his review of the project’s first iteration, “shim,” Sky Glabush marvels at Merritt’s ability to meander between objective clarity and deferred, slippery potential.

More Online

- Advertisements -



- Advertisements -
Report a problem