-- Advertisement --

                           

-- Advertisement --

Canadian Art

See It

John Kissick: Fever Visions and Abstract Rapture

Leo Kamen Gallery, Toronto Mar 29 to Apr 26 2008
John Kissick  <i>Untitled</i>  2008 John Kissick Untitled 2008

John Kissick <i>Untitled</i> 2008

Painter, educator, writer—John Kissick is a man of many talents, and in the past decade he has built a reputation with rambunctious abstract paintings that use an encyclopedic array of painted motifs and textures drawn from a global pool of visual representation. In an artist statement for this new show, Kissick owns up to the adventurous erudition that supports his work. He writes that “Max Ernst coined the term ‘fever vision’ in the early 1920s to describe a kind of visual delirium and psychological slippage that can occur in front of certain kinds of visual assemblages. I am finding myself increasingly attracted to this notion.” Why? “Because of … a certain heightened loss of control on the part of the viewer in attempting to apprehend meaning.” And because “it also implies illness, rapture—apt metaphors for the historical predicament of abstract painting.” Kissick’s paintings make that predicament a happy one. (406-80 Spadina Ave, Toronto ON)

This article was first published online on March 27, 2008.

RELATED STORIES

  • “This is Montreal!”: Fantasies of La Belle Ville

    Montreal might be best known right now as the epicentre of a primally themed indie-pop explosion overrun by vintage-clad wild things identified as everything from We are Wolves and the Besnard Lakes to Les Breastfeeders and Creature.

  • “Buildup”: Between Monumentality and Disintegration

    While many of us are trying to pare down and reorganize in the name of spring cleaning, a group exhibition at the Ottawa Art Gallery thwarts these Martha Stewart aspirations by examining the accumulative impulse in kitsch, pop culture and capitalism.

  • David Askevold: Tributes and Two Hanks

    The Canadian art community suffered a great loss this January with the passing of Nova Scotia–based artist and teacher David Askevold. This week a retrospective screening and reception in Halifax pays tribute to Askevold's legacy.

 

FOUNDATION NEWS

More Foundation news

ONLINE

  • Will Munro: Ecstatic Legacies

    In 2010, at the age of 35, Toronto artist/DJ/promoter/activist Will Munro succumbed to brain cancer. Here, David Balzer reviews the first big survey of Munro’s work, which makes apparent how talented, prolific and perceptive this creator was.

  • Painting Canada: Artistry in the UK

    The Dulwich Picture Gallery’s recent Group of Seven show was one of the UK museum’s biggest hits ever, drawing 41,000 visitors. The attention was deserved, writes Sarah Milroy, as the exhibition offered new insights even to seasoned Canadian-art observers.

  • David Altmejd: In the Belly of the Beast

    The Occupy movement has galvanized the way we think about haves and have-nots. But where do artists fit in? As Joseph R. Wolin observes in this review of David Altmejd’s show at the Brant Foundation, context can be as powerful as content in determining the split.

  • A Stake in the Ground: When Language Wounds

    What happens to identity when our relationship to land and language is disrupted? This is a key question raised in “A Stake in the Ground,” an exhibition of works by 25 First Nations artists, curated by Nadia Myre, that’s currently at Montreal gallery Art Mûr.

  • Canadianartschool.ca: Tips for a Successful Winter Term

    Our education and careers site has just posted more stories and tips to help students achieve a great winter term. Highlights include a profile of internationally renowned fashion designer Jeremy Laing, a Q&A on grad schools and more.

More Online

- Advertisements -



- Advertisements -
Report a problem