-- Advertisement --

-- Advertisement --

Canadian Art

See It

“What We Bring to the Table”—Food for Thought in Oakville

Oakville Galleries, Feb 9 to Jun 6 2008
Bettina Hoffmann  <i>La Ronde</i>  2004  Video stills Bettina Hoffmann La Ronde 2004 Video stills

Bettina Hoffmann <i>La Ronde</i> 2004 Video stills

A group exhibition situates the dinner table as a locus for both awkward and meaningful daily exchanges of emotion in “What We Bring to the Table” at Oakville Galleries’ Gairloch Gardens location. Curated by Marnie Fleming, the exhibition reveals the kitchen table as a space where human subjects are often “too close for comfort,” blurring the line between casual intimacy and charged claustrophobia. In Bettina Hoffmann’s projected videos, for instance, a camera slowly circles the staged tableau of a family posed around a dinner table, gradually revealing the subjects’ exaggerated gestures and physical relationship to fellow diners. No matter how many times it circles the table, there is not enough visual information to understand the narrative: the viewer is left feeling awkwardly implicated in the scene while distant from its significance. Laura Letinsky’s detailed photographs of tabletops after a shared dinner, on the other hand, document the material specificity of eating and treat scraps of food, crumpled napkins and scattered cutlery as an index for human social relations.

In contrast, the Canadian artistic duo T&T’s series of whimsical but pragmatic drawings and models show nomadic characters foraging for material debris to create utopic architectural environments outside of the family structure. “Onward Future,” on view at the Oakville Galleries’ downtown location to May 11, is the first retrospective for the pair, whose work harnesses the physical remnants of a past society to create new possibilities for an ecologically sound and socially harmonious landscape. (1306 Lakeshore Rd E and 120 Navy St, Oakville ON)

This article was first published online on February 14, 2008.

RELATED STORIES

 

FOUNDATION NEWS

More Foundation news

ONLINE

  • Jon Rafman: Mapping Google

    Jon Rafman’s work enjoys a deservedly high profile at this year’s Contact Festival. As Saelan Twerdy observes in this review, Rafman’s stunning, and often funny, Google Street View scenes demonstrate how the Internet is making everything public, from information to intimacy.

  • Spring Auctions: Going Once, Going Twice…

    The auction record for contemporary Canadian art was broken earlier this month in New York with Christie’s $3.6 million sale of a Jeff Wall photograph. This week, Canada’s top houses head into their spring sales hoping to break more records.

  • Keren Cytter: Video Virtuoso

    “Based on a True Story” in Oakville boasts the largest North American survey to date of Keren Cytter, the Tel Aviv–born artist known as one of today’s most intriguing video practitioners. Mariam Nader reviews, finding greatest hits and unexpected delights.

  • Sovereign Acts: Painful Histories, Terrific Performances

    The history of indigenous people performing for colonial audiences inspires "Sovereign Acts,” a current Toronto group show. As Max Mosher writes, the show—featuring Lori Blondeau, Adrian Stimson and others—is both campy and contemplative.

  • Dil Hildebrand: In the Green Room

    Dil Hildebrand is one brave painter. In his new show “Back to the Drawing Board (Reprise),” he stares down the old adage that no one wants to look at a green painting, let alone buy one. There's not just one green painting here—there's a room of them.

More Online

- Advertisements -



- Advertisements -
Report a problem