-- Advertisement --

                           

-- Advertisement --

Canadian Art

Review

Nonetheless, it is the merging of public and private space, as well as the relationship between viewers and objects, that remain the strongest aspects of the work.

Ought Apartment invites visitors to intermingle their private domestic experiences with the somewhat impersonal public space of the gallery. This ends up changing our usual perception and experience of each. From an architectural standpoint, Terris worked within the constraints of the neoclassical circular rotunda design and adapted the domestic tower to the existing space. The aluminum scaffolding not only provides a functional grid structure for the installation, it also works to aesthetically bridge the public and private areas together.

For example, as I walked through the apartments, paying close attention to the interior design and domestic objects from the past, I began to feel as if I was truly in someone else’s home. I then encountered the scaffolding and was reminded that this space is a constant work in progress, always being updated according to the popular fads of the time.

« Page 1   First page   Page 3 »
This article was first published online on September 3, 2009.

RELATED STORIES

  • O Zhang: New World Order

    The Vancouver Art Gallery launched a new outdoor exhibition space recently, partnering with two other organizations to bring more art to the public. Inaugurating the downtown site are striking photos and sound art from Chinese artist O Zhang.

  • Kai Althoff

    Kai Althoff is a 42-year-old German artist who works
with an exceptionally wide range of practices and
media: his activities include traditional image-making,
collaboration, relational aesthetics and the plumbing of
the deepest recesses of childhood memory and experience.

  • Andreas Gursky: Interview with Insight

    Andreas Gursky is one of the world’s best-known contemporary photographers. Now, on the occasion of an extensive show at the Vancouver Art Gallery, Gursky talks in-depth about his work—including a first-ever self-portrait—with critic Nancy Tousley.

 

FOUNDATION NEWS

More Foundation news

ONLINE

  • Will Munro: Ecstatic Legacies

    In 2010, at the age of 35, Toronto artist/DJ/promoter/activist Will Munro succumbed to brain cancer. Here, David Balzer reviews the first big survey of Munro’s work, which makes apparent how talented, prolific and perceptive this creator was.

  • Painting Canada: Artistry in the UK

    The Dulwich Picture Gallery’s recent Group of Seven show was one of the UK museum’s biggest hits ever, drawing 41,000 visitors. The attention was deserved, writes Sarah Milroy, as the exhibition offered new insights even to seasoned Canadian-art observers.

  • David Altmejd: In the Belly of the Beast

    The Occupy movement has galvanized the way we think about haves and have-nots. But where do artists fit in? As Joseph R. Wolin observes in this review of David Altmejd’s show at the Brant Foundation, context can be as powerful as content in determining the split.

  • A Stake in the Ground: When Language Wounds

    What happens to identity when our relationship to land and language is disrupted? This is a key question raised in “A Stake in the Ground,” an exhibition of works by 25 First Nations artists, curated by Nadia Myre, that’s currently at Montreal gallery Art Mûr.

  • Canadianartschool.ca: Tips for a Successful Winter Term

    Our education and careers site has just posted more stories and tips to help students achieve a great winter term. Highlights include a profile of internationally renowned fashion designer Jeremy Laing, a Q&A on grad schools and more.

More Online

- Advertisements -



- Advertisements -
Report a problem