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    <title><![CDATA[Canadian Art - Features]]></title>
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    <description><![CDATA[Features]]></description>
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    <dc:language>en-us</dc:language>
    <dc:rights>Copyright 2012 Canadian Art</dc:rights>
    <dc:publisher>web@canadianart.ca</dc:publisher>
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  <item rdf:about="http://www.canadianart.ca/online/features/2012/01/26/canadian_art_school/">
    <title><![CDATA[Canadianartschool.ca: Tips for a Successful Winter Term]]></title>
    <link>http://www.canadianart.ca/online/features/2012/01/26/canadian_art_school/</link>
    <description><![CDATA[
<img src="/online/features/2012/01/25/448px_canadianartschool_img1.jpg" alt="A view of an art-school studio / photo Moodboard / Agency Collection / Getty Images" /><br />
Our education and careers site has just posted more stories and tips to help students achieve a great winter term. Highlights include a profile of internationally renowned fashion designer Jeremy Laing, a Q&A on grad schools and more.
]]></description>
    <dc:date>2012-01-26T16:56:00Z</dc:date>
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  <item rdf:about="http://www.canadianart.ca/online/features/2012/01/19/laurie_anderson/">
    <title><![CDATA[Laurie Anderson: Down the Rabbit Hole]]></title>
    <link>http://www.canadianart.ca/online/features/2012/01/19/laurie_anderson/</link>
    <description><![CDATA[
<img src="/online/features/2012/01/18/448px_laurieanderson_img1.jpg" alt="Artist Laurie Anderson / photo &copy; Tim Knox" /><br />
As a child, Laurie Anderson broke her back while showing off on a diving board. Now, she draws on that experience in The Gray Rabbit, a work having its North American premiere at Calgary’s Glenbow Museum. Nancy Tousley reports on the project, and its inspirations, in this feature interview.
]]></description>
    <dc:date>2012-01-19T17:20:00Z</dc:date>
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  <item rdf:about="http://www.canadianart.ca/online/features/2012/01/19/christian_eckart/">
    <title><![CDATA[Christian Eckart: Beyond the Wall]]></title>
    <link>http://www.canadianart.ca/online/features/2012/01/19/christian_eckart/</link>
    <description><![CDATA[
<img src="/online/features/2012/01/18/448px_p116_CArt_WIN.jpg" alt="Opening spread for &amp;quot;Beyond the Wall&amp;quot; by Mark Cheetham, &lt;em&gt;Canadian Art&lt;/em&gt;, Winter 2012, pp 116&ndash;20 / photo Christopher Dew" /><br />
Calgary-born artist Christian Eckart has always asked a lot of painting, often stretching the medium to optimum effect—right out into sculpture, actually. In this current-issue feature, Mark Cheetham explores Eckart’s innovative, interwoven oeuvre.
]]></description>
    <dc:date>2012-01-19T17:04:00Z</dc:date>
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  <item rdf:about="http://www.canadianart.ca/online/features/2012/01/12/lyonel_feininger/">
    <title><![CDATA[Lyonel Feininger: Seeing from a Different Angle]]></title>
    <link>http://www.canadianart.ca/online/features/2012/01/12/lyonel_feininger/</link>
    <description><![CDATA[
<img src="/online/features/2012/01/11/448px_feininger_img1_v1000.jpg" alt="Lyonel Feininger  &lt;em&gt;Bathers on the Beach I&lt;/em&gt;  1912 Courtesy Harvard Art Museums / Busch-Reisinger Museum &copy; Estate of Lyonel Feininger / SODRAC (2011) / photo &copy; President and Fellows of Harvard College" /><br />
This month, a Lyonel Feininger retrospective organized by New York’s Whitney Museum will open in Montreal. As David Balzer reports, the Canadian spin on this modern master promises to highlight overlooked output in music.
]]></description>
    <dc:date>2012-01-12T16:50:00Z</dc:date>
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  <item rdf:about="http://www.canadianart.ca/online/features/2012/01/12/reece_terris/">
    <title><![CDATA[Reece Terris: The Contractor]]></title>
    <link>http://www.canadianart.ca/online/features/2012/01/12/reece_terris/</link>
    <description><![CDATA[
<img src="/online/features/2012/01/11/448px_p094_CART_WI.jpg" alt="Opening spread for &amp;quot;The Contractor&amp;quot; by Robin Laurence, &lt;em&gt;Canadian Art&lt;/em&gt;, Winter 2012, pp 94&ndash;9 / photo Gregory Crow" /><br />
After working in construction for 15 years, Reece Terris went to art school. Now, his works—from time-travelling apartments to guerilla bridges—marry trade tricks with inimitable insights. Find out more in this current-issue feature by Robin Laurence.
]]></description>
    <dc:date>2012-01-12T16:47:00Z</dc:date>
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  <item rdf:about="http://www.canadianart.ca/online/features/2012/01/12/frederick_olmsted/">
    <title><![CDATA[Olmsted: Photography and the Democratic Pastoral]]></title>
    <link>http://www.canadianart.ca/online/features/2012/01/12/frederick_olmsted/</link>
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<img src="/online/features/2012/01/12/448px_kozloff_img1_NEW_v1000.jpg" alt="Opening spread for &amp;quot;Olmsted: Photography and the Democratic Pastoral,&amp;quot; &lt;em&gt;Canadian Art&lt;/em&gt;, Winter 1996, pp 50&ndash;8 / photo Robert Burley" /><br />
What is a park? More than a century ago, Frederick Law Olmsted offered some answers. In this <em>Canadian Art</em> archives article, Max Kozloff reflects on Olmsted’s legacy as framed by photographers Robert Burley, Lee Friedlander and Geoffrey James.
]]></description>
    <dc:date>2012-01-12T16:46:00Z</dc:date>
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  <item rdf:about="http://www.canadianart.ca/online/features/2012/01/05/2012_picks/">
    <title><![CDATA[2012 Preview: The Future Files]]></title>
    <link>http://www.canadianart.ca/online/features/2012/01/05/2012_picks/</link>
    <description><![CDATA[
<img src="/online/features/2012/01/04/448px_2012preview_img1.jpg" alt="Iain Baxter&amp; (as IT) &lt;em&gt;Extended Noland&lt;/em&gt; 1966 Courtesy Art Gallery of Ontario / photo AGO" /><br />
As 2012 dawns, thoughts turn to what’s next in the Canadian art scene, and there’s already a number of key events—both at home and abroad—that promise to make a major impact. Here’s a bit of what we’re looking forward to.
]]></description>
    <dc:date>2012-01-05T17:00:00Z</dc:date>
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  <item rdf:about="http://www.canadianart.ca/online/features/2012/01/05/jean_pierre_gauthier/">
    <title><![CDATA[Jean-Pierre Gauthier: Ghost in the Machine]]></title>
    <link>http://www.canadianart.ca/online/features/2012/01/05/jean_pierre_gauthier/</link>
    <description><![CDATA[
<img src="/online/2012/01/05/448px_gauthier_lead.jpg" alt="Opening spread for Ghost in the Machine by Katie Addleman, &lt;em&gt;Canadian Art&lt;/em&gt;, Winter 2012, pp 88&ndash;93" /><br />
As a kid in the Gaspé, Jean-Pierre Gauthier spent hours taking toys apart to see how they worked. Now, as Katie Addleman shows in this feature from our current issue, he puts that mechanical curiosity to excellent artistic use in remarkable kinetic sculptures.
]]></description>
    <dc:date>2012-01-05T16:56:00Z</dc:date>
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  <item rdf:about="http://www.canadianart.ca/online/features/2011/12/22/leah_sandals_top_3/">
    <title><![CDATA[Leah Sandals’ Top 3: The Institution, Reframed]]></title>
    <link>http://www.canadianart.ca/online/features/2011/12/22/leah_sandals_top_3/</link>
    <description><![CDATA[
<img src="/online/features/2011/12/21/448px_leahtop3_img1.jpg" alt="A view of the admissions desk at the Royal Ontario Museum &copy; Royal Ontario Museum 2009" /><br />
Part 2 of our year-end best-of series offers top picks by our contributing editors and art director, and kicks off with a posting by associate online editor Leah Sandals. For Sandals, art's institutions (and their troubles) are what stood out during 2011.
]]></description>
    <dc:date>2011-12-22T17:20:00Z</dc:date>
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  <item rdf:about="http://www.canadianart.ca/online/features/2011/12/22/nancy_tousley_top_3/">
    <title><![CDATA[Nancy Tousley’s Top 3: Supercharged Surveys]]></title>
    <link>http://www.canadianart.ca/online/features/2011/12/22/nancy_tousley_top_3/</link>
    <description><![CDATA[
<img src="/online/features/2011/12/21/448px_nancytop3_img1.jpg" alt="Raymond Gervais  &lt;em&gt;12 + 1 =&lt;/em&gt; 1976 Courtesy the artist" /><br />
In early 2011, Nancy Tousley, our contributing editor from Calgary, won a Governor General’s Award for her distinguished arts-journalism career. Now, her expertise highlights some strongly curated surveys as the year’s best shows.
]]></description>
    <dc:date>2011-12-22T17:15:00Z</dc:date>
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