-- Advertisement --

                           

-- Advertisement --

Canadian Art

Feature

Heffel Auction Preview: Belles Bids

Heffel Gallery, Toronto Nov 21 to 26 2009
Paul-Émile Borduas  <I>Allegro furioso</I>  1949
Paul-Émile Borduas Allegro furioso 1949

Paul-Émile Borduas Allegro furioso 1949




The Toronto preview for Heffel’s fall auctions gets underway this week at its Yorkville gallery, with 111 works up for grabs in the Canadian postwar and contemporary art auction and 299 works becoming available in the fine Canadian art auction. Following on the heels of previews in Vancouver and Montreal, this showing is the final one prior to the gavel falling on November 26 at the Park Hyatt, and as with any auction, it’s enjoyable to speculate on which works might most inspire bidding fever.

Particularly noteworthy in the postwar and contemporary art offerings are a couple of works from Paul-Émile Borduas—1949’s darkly inflected Allegro furioso, which was created at the same time as his pamphlet Projections libérantes, and 1955’s all-over composition Arabesque, which has been linked to the artist’s New York period. The former holds an estimate of $100,000 to $150,000 and the latter one of $275,000 to $375,000. Compelling works by William Ronald, Sorel Etrog, Jack Bush, Mary Pratt and William Kurelek are also likely to generate high-end interest, while those seeking something more economical might well be intrigued by Toronto 20, a 1965 cooperative portfolio of prints by Greg Curnoe, Michael Snow, Joyce Wieland and other well-known artists, which is estimated at $4,000 to $5,000.

In the fine Canadian art section, many eyes will likely be on the Group of Seven’s works, particularly a sketch for Lawren Harris’ famed North Shore, Lake Superior, which has an estimate starting at $2 million. Tom Thomson’s Early Spring Canoe Lake, created just a couple of months before his tragic 1917 death, is estimated at $600,000 to $800,000. Works by A.J. Casson, A.Y. Jackson, Emily Carr and David Milne are just a few of the other highlights of this array—all worth seeing now if one hasn’t (or if one wishes to amp up) the bidding acumen needed to own them later. (13 Hazelton Ave, Toronto ON)

This article was first published online on November 19, 2009.

RELATED STORIES

  • Sotheby’s Spring Auction: Up or Down

    Sotheby’s braves the financial landscape Monday, with classic Canadian works from Emily Carr and Jean Paul Lemieux on the block. Though restraint may be the watchword, there's no recession in quality.

  • What Museums Are For

    When the Art Gallery of Ontario reopened in mid-November, I dodged the long lines and cold rain by showing up at 11pm—the museum was open until midnight on Friday and Saturday. Ignoring the architecture—the massive sheets of glass and titanium and beams of wood and steel I had watched being assembled over the past year—I headed straight for the permanent Canadian collection...

  • Auction Recap: Gavel Gravitas Strikes the Canuck Art Market

    When it comes to the future state of the art market, only time—and the gavel—will tell. Right now, results from this week’s three major Canadian auctions suggests that the market is being very selective, with one-third of lots going unsold.

 

FOUNDATION NEWS

More Foundation news

ONLINE

  • Sol LeWitt: Primary Legacy

    In recent years, both the Dia and MASS MoCA have mounted tribute exhibitions to late American artist Sol LeWitt. This week, Mercer Union wraps up its own notable homage, which recreates a 1981 wall drawing LeWitt did for the then-fledgling space.

  • The Khyber Controversy: Three Years' Grace

    For the past number of years, there's been controversy regarding the future of Halifax’s Khyber Arts Society. Seen by many as a key venue locally and nationally, the Khyber was back in the news this month as a city report recommended a new three-year plan for its space.

  • Todd Tremeer: War Games

    Play and strife come together, DIY style, in Todd Tremeer’s Little Wars (Make Me), an interactive project that debuted this month at the Art Gallery of Greater Victoria. In it, viewers can collaborate on a wall-sized battle mural and “bring the war home” via paper-cutout soldiers.

  • John Kissick/Gwen MacGregor: Two for the Road

    Summer is often marked by contrasts, a dynamic that the Kitchener-Waterloo Art Gallery seems to pick up on in its current pairing of solo shows: John Kissick’s manic, multifaceted paintings and Gwen MacGregor’s calm, geoscience-toned fieldwork.

  • Heat: Marvelous Meltdowns

    MKG127 acknowledges Toronto’s above-average summer temperatures with “Heat,” an exhibition that ironically offers some cool respite while displaying works that evoke bubbling tar, existential crises and blistering guitar solos.

More Online

- Advertisements -



- Advertisements -
Report a problem