-- Advertisement --

-- Advertisement --

Canadian Art

Feature

LS: This might seem silly, but is there a hidden performance aspect to some of these works, like Brain Freeze or Range?

JS: I wouldn't call it a performance, more a process. I was sharing a studio with a friend of mine and she’s pretty much a Slurpee addict, and that’s rubbed off on me. And Winnipeg’s proud to be Slurpee consumption capital of the world. One of the attributes of our urban landscape is that these things are littered everywhere. So when I was asked to create a piece for the Plug In, I started gathering these in a more amplified way. It took about a year altogether.

LS: Kokanee is a Western Canadian beverage as well. I don’t think that beer is widely available east of Winnipeg.

JS: Really? I guess it is a Western Canadian thing. With Range, part of the process was just being at a bonfire this summer and peeling the labels so that it framed the mountain. That stuck in my head for a while.

LS: Speaking in a different way about place: You did a master’s in Chicago and have shown at some prestigious American galleries. How do you feel about being back in Canada?

JS: Well, I’ve been back in Winnipeg about eight years since I took my master’s. And part of the reasoning in coming back here was that I knew the economy of Winnipeg allows an artist to work part-time and do their own research the rest of the time. The cost of living in the States is more expensive; if you’re not selling work you’re working at a job full-time.

I also knew I could come back to Winnipeg and have support through research funding and that’s one thing I really appreciate; it allows experimentation. I do like Winnipeg as a home base; it’s a good place. I’m even working on a public art commission. Overall, I’ve embraced the city as a site where I can create a dialogue about contemporary art.

« Page 1   First page   Page 3 »
This article was first published online on January 15, 2009.

RELATED STORIES

  • Allyson Mitchell Video: Interview with a Sasquatch

    In this January 2009 studio visit, Toronto artist Allyson Mitchell speaks to Canadian Art editor Richard Rhodes about her upcoming exhibition “Ladies Sasquatch” at the McMaster Museum of Art in Hamilton. Melding feminist practice with fun fur, Mitchell’s savvy sculptures are bigger and better than ever.

  • Video: Venice Pick Mark Lewis in Conversation with Curator Barbara Fischer

    Listen in as UK-based artist Mark Lewis, Canada’s official representative at the 53rd Venice Biennale, discusses his films and plans for his installation with Barbara Fischer, commissioner of the Canadian pavilion. This talk was recorded as part of Canadian Art’s Room with a View program in Toronto, November 2008.

  • Dan Graham: Conceptualist Colloquium

    It’s been a great couple of weeks for art talks in Canada. Last week Judy Chicago, Lucy Lippard, Jessica Stockholder and Polly Staple gave talks across the country. This week American conceptualist Dan Graham hits the stage as well.

 

FOUNDATION NEWS

More Foundation news

ONLINE

  • Jon Rafman: Mapping Google

    Jon Rafman’s work enjoys a deservedly high profile at this year’s Contact Festival. As Saelan Twerdy observes in this review, Rafman’s stunning, and often funny, Google Street View scenes demonstrate how the Internet is making everything public, from information to intimacy.

  • Spring Auctions: Going Once, Going Twice…

    The auction record for contemporary Canadian art was broken earlier this month in New York with Christie’s $3.6 million sale of a Jeff Wall photograph. This week, Canada’s top houses head into their spring sales hoping to break more records.

  • Keren Cytter: Video Virtuoso

    “Based on a True Story” in Oakville boasts the largest North American survey to date of Keren Cytter, the Tel Aviv–born artist known as one of today’s most intriguing video practitioners. Mariam Nader reviews, finding greatest hits and unexpected delights.

  • Sovereign Acts: Painful Histories, Terrific Performances

    The history of indigenous people performing for colonial audiences inspires "Sovereign Acts,” a current Toronto group show. As Max Mosher writes, the show—featuring Lori Blondeau, Adrian Stimson and others—is both campy and contemplative.

  • Dil Hildebrand: In the Green Room

    Dil Hildebrand is one brave painter. In his new show “Back to the Drawing Board (Reprise),” he stares down the old adage that no one wants to look at a green painting, let alone buy one. There's not just one green painting here—there's a room of them.

More Online

- Advertisements -



- Advertisements -
Report a problem