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Lorraine Field, Door I, 2005 |
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Every yearbook editor knows there’s much more that goes on than can ever make it into print. So it is with Canadian Art’s Art Schools issue, which hits newsstands coast to coast on December 15, 2008. Luckily, we’ve found a home for key bonus documents on our website.
In his article in the winter print edition of Canadian Art, writer Gary Michael Dault reflects on NSCAD’s storied history, as well as its potential glories to come. Here, in an exclusive slideshow, Canadian Art offers extra photos from NSCAD’s past and present.
Art schools are key players in shaping the contemporary Canadian art scene. And the winter issue of Canadian Art, launched this week, reveals the ways this influence is exerted today more than ever. Add in a swath of online bonus material on art ed, and you’ve got key discoveries for students young and old, official and unofficial, to enjoy.
Talk to take place January 26 at the Art Gallery of Ontario
Canadian premiere of new Marina Abramović documentary to be fêted February 22 at the TIFF Bell Lightbox
All our best wishes for the new year to come
Talks by Dan Cameron and Annie Cohen-Solal, free gallery programs among highlights of 2011
Support our educational programs today
The Canadian Art Foundation is seeking an online production professional to join its team
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Free exhibition at the Power Plant highlights our nation’s emerging painting stars
Award in Portrait Photography category recognizes Donald Weber's artist project in the Fall 2010 issue
More than 300 GTA teens enjoy free downtown-Toronto gallery talks during this fall’s School Hop
In 2010, at the age of 35, Toronto artist/DJ/promoter/activist Will Munro succumbed to brain cancer. Here, David Balzer reviews the first big survey of Munro’s work, which makes apparent how talented, prolific and perceptive this creator was.
The Dulwich Picture Gallery’s recent Group of Seven show was one of the UK museum’s biggest hits ever, drawing 41,000 visitors. The attention was deserved, writes Sarah Milroy, as the exhibition offered new insights even to seasoned Canadian-art observers.
The Occupy movement has galvanized the way we think about haves and have-nots. But where do artists fit in? As Joseph R. Wolin observes in this review of David Altmejd’s show at the Brant Foundation, context can be as powerful as content in determining the split.
What happens to identity when our relationship to land and language is disrupted? This is a key question raised in “A Stake in the Ground,” an exhibition of works by 25 First Nations artists, curated by Nadia Myre, that’s currently at Montreal gallery Art Mûr.
Our education and careers site has just posted more stories and tips to help students achieve a great winter term. Highlights include a profile of internationally renowned fashion designer Jeremy Laing, a Q&A on grad schools and more.
