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    <title><![CDATA[Canadian Art - Art]]></title>
    <link>http://www.canadianart.ca/art/</link>
    <description><![CDATA[Art]]></description>
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    <dc:language>en-us</dc:language>
    <dc:rights>Copyright 2010 Canadian Art</dc:rights>
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        <rdf:li rdf:resource="http://www.canadianart.ca/art/features/2010/06/01/extreme-painting/" />
        <rdf:li rdf:resource="http://www.canadianart.ca/art/features/2010/06/01/eminent-victorian/" />
        <rdf:li rdf:resource="http://www.canadianart.ca/art/features/2010/06/01/ars-diavoli/" />
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  <item rdf:about="http://www.canadianart.ca/art/features/2010/06/01/done-not-done/">
    <title><![CDATA[Done. Not Done. Might Be Done...]]></title>
    <link>http://www.canadianart.ca/art/features/2010/06/01/done-not-done/</link>
    <description><![CDATA[In our summer 2010 magazine cover story, contributor Adele Weder unpacks optical energies and conceptual complexities in the abstract imagery of Vancouver painter Elizabeth McIntosh. McIntosh's view of the canvas as "an indefinite expanse" results in notable, boundary-blurring artworks.]]></description>
    <dc:date>2010-06-02T03:00:00Z</dc:date>
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    <title><![CDATA[Mobile Perspectives]]></title>
    <link>http://www.canadianart.ca/art/features/2010/06/01/mobile-perspectives/</link>
    <description><![CDATA[It’s a bright, frigid, mid-winter morning in Old Montreal, with wind
that freezes the eyelashes and numbs the lips gusting up the cobblestone
streets, and at this hour the Darling Foundry building for
once feels like the magnificent abandoned factory it in fact is.]]></description>
    <dc:date>2010-06-02T02:00:00Z</dc:date>
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  <item rdf:about="http://www.canadianart.ca/art/features/2010/06/01/extreme-painting/">
    <title><![CDATA[Extreme Painting]]></title>
    <link>http://www.canadianart.ca/art/features/2010/06/01/extreme-painting/</link>
    <description><![CDATA[Over the last few years, a new manner of figurative painting—visceral, knowingly banal
or aggressively two-fisted, deeply ambivalent about the lightness of the virtual and hostile
to the opinion that figurative painting is dead—has emerged in galleries from Toronto and
Montreal to New York, Berlin and beyond.]]></description>
    <dc:date>2010-06-02T01:00:00Z</dc:date>
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  <item rdf:about="http://www.canadianart.ca/art/features/2010/06/01/eminent-victorian/">
    <title><![CDATA[Eminent Victorian]]></title>
    <link>http://www.canadianart.ca/art/features/2010/06/01/eminent-victorian/</link>
    <description><![CDATA[One of the problems besetting painting over the past century
or so has been this: when does a painting start being a sculpture?
Pure opticality (painting’s purview) and somatic engagement
(sculpture’s thing) would seem to be at odds, but some artists have
a knack for bridging that gap and bringing it all together. ]]></description>
    <dc:date>2010-06-02T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://www.canadianart.ca/art/features/2010/06/01/ars-diavoli/">
    <title><![CDATA[Ars Diavoli]]></title>
    <link>http://www.canadianart.ca/art/features/2010/06/01/ars-diavoli/</link>
    <description><![CDATA[I am sitting with the artist Marc Séguin in a bagel shop on the Main in
Montreal, Leonard Cohen’s old haunt. I have a few questions prepared for
him but all of a sudden I am channelling the priest in the baptism scene
from The Godfather. ]]></description>
    <dc:date>2010-06-01T23:00:00Z</dc:date>
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  <item rdf:about="http://www.canadianart.ca/art/features/2010/06/01/a-wonderful-reserve/">
    <title><![CDATA[A Wonderful Reserve]]></title>
    <link>http://www.canadianart.ca/art/features/2010/06/01/a-wonderful-reserve/</link>
    <description><![CDATA[In this article from the summer 2010 edition of Canadian Art magazine, Kitchener artist Robert Linsley—who has shown in Berlin, Barcelona and Düsseldorf, with a KWAG survey coming in 2011—looks at the often-overlooked medium of watercolour using the expert work of Paul Cézanne and David Milne as reference points.]]></description>
    <dc:date>2010-06-01T22:00:00Z</dc:date>
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  <item rdf:about="http://www.canadianart.ca/art/features/2010/06/01/deluxe-transformations/">
    <title><![CDATA[Deluxe Transformations]]></title>
    <link>http://www.canadianart.ca/art/features/2010/06/01/deluxe-transformations/</link>
    <description><![CDATA[In this feature from the summer 2010 edition of our magazine, artist, writer and educator Trish Boon introduces the work of Toronto's Dorian FitzGerald, an artist who recently made a big splash in the art world with his massive paintings of luxury objects and ornate interiors. The result is a critical trip down the path of decadence and hedonism.]]></description>
    <dc:date>2010-06-01T21:00:00Z</dc:date>
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  <item rdf:about="http://www.canadianart.ca/art/features/2010/06/01/this-issue/">
    <title><![CDATA[This Issue]]></title>
    <link>http://www.canadianart.ca/art/features/2010/06/01/this-issue/</link>
    <description><![CDATA[One of the remarkable rebirths seen within contemporary art has been the
return of painting. Despite being declared dead and buried by postmodernist
argument in the 1980s, painting didn’t actually die; it simply kept to the shadows
while the art world turned its attention elsewhere. ]]></description>
    <dc:date>2010-06-01T21:00:00Z</dc:date>
  </item>
  <item rdf:about="http://www.canadianart.ca/art/features/2010/06/01/newsfront/">
    <title><![CDATA[Newsfront]]></title>
    <link>http://www.canadianart.ca/art/features/2010/06/01/newsfront/</link>
    <description><![CDATA[Art Prize Update; Plug In ICA moves this fall; Toronto's 2010 Nuit Blanche curators; Vancouver Art Gallery settles on new downtown site; 2011 launch for Weston Centre; Husky Energy makes major gift to The Rooms; Letter to the Editor]]></description>
    <dc:date>2010-06-01T20:00:00Z</dc:date>
  </item>
  <item rdf:about="http://www.canadianart.ca/art/features/2010/06/01/heidi-overhill/">
    <title><![CDATA[Heidi Overhill: Museum of Me]]></title>
    <link>http://www.canadianart.ca/art/features/2010/06/01/heidi-overhill/</link>
    <description><![CDATA[We live in a time when reality television
offers up a scenario in which a household organizer with
an M.A. in psychology arrives at your house with hunky
carpenters to help hapless families sort and throw out their
messy possessions.]]></description>
    <dc:date>2010-06-01T19:00:00Z</dc:date>
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