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    <title><![CDATA[Canadian Art - In Review]]></title>
    <link>http://www.canadianart.ca/art/reviews/</link>
    <description><![CDATA[In Review]]></description>
    <cc:license rdf:resource="http://creativecommons.org/licenses/by-nc/2.0" />
    <dc:language>en-us</dc:language>
    <dc:rights>Copyright 2011 Canadian Art</dc:rights>
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        <rdf:li rdf:resource="http://www.canadianart.ca/art/reviews/2010/06/01/krista-buecking/" />
        <rdf:li rdf:resource="http://www.canadianart.ca/art/reviews/2010/06/01/geoffrey-farmer/" />
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        <rdf:li rdf:resource="http://www.canadianart.ca/art/reviews/2010/03/01/judy-radul/" />
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  <item rdf:about="http://www.canadianart.ca/art/reviews/2010/06/01/david-armstrong-six/">
    <title><![CDATA[David Armstrong Six]]></title>
    <link>http://www.canadianart.ca/art/reviews/2010/06/01/david-armstrong-six/</link>
    <description><![CDATA[
<img src="/art/reviews/2010/09/01/448px_armstrongsix_img1.jpg" alt="&quot;David Armstrong Six&quot; by Ben Portis, Summer 2010, pp. 104-106" /><br />
David Armstrong Six’s anti–form fit installation <i>The Dry Salvages</i> took over
Parisian Laundry’s idiosyncratic back gallery, which is known as the Bunker—
a raw, windowless concrete box accessed via a subterranean passageway.
]]></description>
    <dc:date>2010-06-01T14:00:00Z</dc:date>
  </item>

  <item rdf:about="http://www.canadianart.ca/art/reviews/2010/06/01/jason-de-haan/">
    <title><![CDATA[Jason de Haan]]></title>
    <link>http://www.canadianart.ca/art/reviews/2010/06/01/jason-de-haan/</link>
    <description><![CDATA[
<img src="/art/reviews/2010/09/01/448px_dehaan_img1.jpg" alt="&quot;Jason de Haan&quot; by Mark Clintberg, Summer 2010, p. 108" /><br />
Glittering, seductive and mystical: crystals and mirrors are the loci of Jason
de Haan’s remarkably focused freshman exhibition with Toronto’s Clint
Roenisch. 
]]></description>
    <dc:date>2010-06-01T13:00:00Z</dc:date>
  </item>

  <item rdf:about="http://www.canadianart.ca/art/reviews/2010/06/01/krista-buecking/">
    <title><![CDATA[Krista Buecking]]></title>
    <link>http://www.canadianart.ca/art/reviews/2010/06/01/krista-buecking/</link>
    <description><![CDATA[
<img src="/art/reviews/2010/09/01/448px_kristabuecking_img1.jpg" alt="&quot;Krista Buecking&quot; by Rosemary Heather, Summer 2010, p. 110" /><br />
“Under the paving stones the beach!” So goes the slogan from Paris in May
1968: dismantle civilization and you will find paradise. For her show at Susan
Hobbs Gallery, Krista Buecking looks at the brick as a trope of cultural upheaval,
in the process suggesting a way to understand the political uncertainties of
our time.
]]></description>
    <dc:date>2010-06-01T12:00:00Z</dc:date>
  </item>

  <item rdf:about="http://www.canadianart.ca/art/reviews/2010/06/01/geoffrey-farmer/">
    <title><![CDATA[Geoffrey Farmer]]></title>
    <link>http://www.canadianart.ca/art/reviews/2010/06/01/geoffrey-farmer/</link>
    <description><![CDATA[
<img src="/art/reviews/2010/09/01/448px_geoffreyfarmer_img1.jpg" alt="&quot;Geoffrey Farmer&quot; by Aaron Peck, Summer 2010, p. 112" /><br />
What would time’s face look like if it had one? A literal example might be an
analog clock; a more symbolic one might be hoary-bearded Father Time. “The
Surgeon and the Photographer,” Geoffrey Farmer’s latest exhibition at
Catriona Jeffries, gives us neither. 
]]></description>
    <dc:date>2010-06-01T11:00:00Z</dc:date>
  </item>

  <item rdf:about="http://www.canadianart.ca/art/reviews/2010/06/01/scott-rogers/">
    <title><![CDATA[Scott Rogers]]></title>
    <link>http://www.canadianart.ca/art/reviews/2010/06/01/scott-rogers/</link>
    <description><![CDATA[
<img src="/art/reviews/2010/09/01/448px_scottrogers_img1.jpg" alt="&quot;Scott Rogers&quot; by Marcus Miller, Summer 2010, p. 114" /><br />
Scott Rogers pays homage to Mel Bochner’s
<i>Measurement Room</i> (1969), with his own work, <i>Wireframe</i>: an installation that demarcates the physical dimensions
of Stride Gallery, this time as photoluminescent outlines. 
]]></description>
    <dc:date>2010-06-01T10:00:00Z</dc:date>
  </item>

  <item rdf:about="http://www.canadianart.ca/art/reviews/2010/06/01/micah-lexier/">
    <title><![CDATA[Micah Lexier]]></title>
    <link>http://www.canadianart.ca/art/reviews/2010/06/01/micah-lexier/</link>
    <description><![CDATA[
<img src="/art/reviews/2010/09/01/448px_micahlexier_img1.jpg" alt="&quot;Micah Lexier&quot; by Shannon Anderson, Summer 2010, p. 116" /><br />
Micah Lexier’s <i>I AM THE COIN</i> fills the BMO Project Room’s main wall with
a grid of 20,000 custom-minted coins. It’s an impressive sight: light shimmers
over the coins, the reflections shifting as you move around, and little circles
of light are scattered throughout the room. 
]]></description>
    <dc:date>2010-06-01T09:00:00Z</dc:date>
  </item>

  <item rdf:about="http://www.canadianart.ca/art/reviews/2010/03/01/judy-radul/">
    <title><![CDATA[Judy Radul]]></title>
    <link>http://www.canadianart.ca/art/reviews/2010/03/01/judy-radul/</link>
    <description><![CDATA[
<img src="/art/reviews/2010/03/29/448px_re_judy_radul1_639a.jpg" alt="&quot;Judy Radul&quot; by Aaron Peck, Spring 2010, pp. 106-108" /><br />
The work of Judy Radul often troubles the process of how one comes to think of one thing as true and another false. 
]]></description>
    <dc:date>2010-03-01T16:00:00Z</dc:date>
  </item>

  <item rdf:about="http://www.canadianart.ca/art/reviews/2010/03/01/jordan-broadworth/">
    <title><![CDATA[Jordan Broadworth]]></title>
    <link>http://www.canadianart.ca/art/reviews/2010/03/01/jordan-broadworth/</link>
    <description><![CDATA[
<img src="/art/reviews/2010/03/29/448px_re_jordan_broadworth1_639.jpg" alt="&quot;Jordan Broadworth&quot; by Paul Walde, Spring 2010, p. 110" /><br />
Jordan Broadworth’s paintings remind me of the afterimages one experiences when glimpsing illuminated signage in the urban landscape.
]]></description>
    <dc:date>2010-03-01T15:00:00Z</dc:date>
  </item>

  <item rdf:about="http://www.canadianart.ca/art/reviews/2010/03/01/playing-homage/">
    <title><![CDATA[Playing Homage]]></title>
    <link>http://www.canadianart.ca/art/reviews/2010/03/01/playing-homage/</link>
    <description><![CDATA[
<img src="/art/reviews/2010/03/29/448px_re_playing_homage1_639.jpg" alt="&quot;Playing Homage&quot; by Leah Turner, Spring 2010, p. 112" /><br />
In recent years, re-enactment, in various guises, has become rich terrain for artists and exhibition-makers alike. 
]]></description>
    <dc:date>2010-03-01T14:00:00Z</dc:date>
  </item>

  <item rdf:about="http://www.canadianart.ca/art/reviews/2010/03/01/francine-savard/">
    <title><![CDATA[Francine Savard]]></title>
    <link>http://www.canadianart.ca/art/reviews/2010/03/01/francine-savard/</link>
    <description><![CDATA[
<img src="/art/reviews/2010/03/29/448px_re_francine_savard1_639.jpg" alt="&quot;Francine Savard&quot; by Stefan Zebrowski-Rubin, Spring 2010, p. 114" /><br />
The 63 works on display in Francine Savard’s mid-career retrospective, curated by Lesley Johnstone, express intellectual and philosophical concepts with refined, graphic precision.
]]></description>
    <dc:date>2010-03-01T13:00:00Z</dc:date>
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