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Canadian Art

Reviews

  • ReviewsWinter 2009

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    2Fik

    The French-Moroccan Montrealer 2Fik is a gender-bending activist and self-taught photographer who considers his debut exhibition, held at Galerie [sas], to be his coming-out as a visual artist.
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  • ReviewsWinter 2009

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    Rhonda Weppler and Trevor Mahovsky

    It is rare to find a creative practice that harmonizes critical thinking and positive momentum. The Vancouver-based artists Rhonda Weppler and Trevor Mahovsky, however, seem to have mastered this delicate balancing act.
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  • ReviewsWinter 2009

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    Diabolique

    “Diabolique” is an ambitious two-part exhibition filled with images ranging from bombs to corpses and from fighter jets to, of course, penises. If the symbols seem all too familiar, that is in part the point of the show, which is as much about violence and war as about the iconographies and processes of their representation.
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  • ReviewsWinter 2009

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    Jeremy Hof

    In his 2009 exhibition at Blanket Contemporary Art, his first after winning the 2008 RBC Canadian Painting Competition, Jeremy Hof introduces recognizably Minimalist forms into his painting, sculpture and monochromes.
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  • ReviewsWinter 2009

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    Michal Rovner

    The first work that you stumble upon in Michal Rovner’s exhibition at DHC/ART Foundation for Contemporary Art dispels any doubt about the depth of the Israeli artist’s aesthetic.
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  • ReviewsWinter 2009

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    Animal House

    When I first heard about “Animal House: Works of Art Made by Animals,” my first thought was: if the work itself is silly, can the theoretical context that frames it be enough to make for a compelling experience?
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  • ReviewsFall 2009

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    Anthony Hernandez

    The Anthony Hernandez show at the Vancouver Art Gallery has been unexpected in a number of ways.
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  • ReviewsFall 2009

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    Nicolas Baier

    Human beings have an uncanny ability to seek out images where none exist. That’s why we can while away hours finding shapes in the clouds and can all see a man in the moon. It’s this notion that informs this exhibition of recent work by the Montreal-based artist Nicolas Baier.
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  • ReviewsFall 2009

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    Roger Ballen

    The anthropologist Victor Turner defined the word liminality as “betwixt and between.” It is a transitional state that involves moving between two existential planes; normal restraints on behaviour and understanding are relaxed, leading to new perspectives. Roger Ballen’s photographs epitomize this process.
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  • ReviewsFall 2009

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    Kavavaow Mannomee

    Kavavaow Mannomee is, like Annie Pootoogook and Shuvinai Ashoona, part of a third generation of Inuit artists who are drawing attention to the art made above the Arctic Circle.
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  • ReviewsFall 2009

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    Jeanie Riddle

    This year, Montreal has seen a surfeit of shows focusing on the connections between art, music and clubbing. In a solo exhibition at Centre d’exposition Circa, Jeanie Riddle brought a very different tone to the party with a work of silent grandeur called California.
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  • ReviewsFall 2009

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    Terrance Houle

    Terrance Houle has always been a performer. Growing up on the Canadian Prairies while his father served in the armed forces, the Calgary-based artist, who is of Blackfoot and Ojibway descent, regularly danced at powwows while attending military-base and public schools.
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  • ReviewsFall 2009

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    Nomads

    In their post-structural opus A Thousand Plateaus: Capitalism and Schizophrenia, the French theorists Gilles Deleuze and Félix Guattari characterized nomadic movement as “maintaining the possibility of springing up at any point.”
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  • ReviewsFall 2009

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    Douglas Walker

    The magic of Douglas Walker’s paintings lies in their stunning resemblance to blue-and-white Delftware, their surface effects and, of course, the force of their imagery.
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  • ReviewsSummer 2009

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    Lynne Marsh

    The interactions of both the camera and the viewer with architectural space are at the heart of Lynne Marsh’s video work.
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ONLINE

  • On Newsstands & Online Now: Canadian Art Spring 2010

    The spring issue of Canadian Art hits newsstands and computer screens across the country this week, offering many must-read articles. Web extras on cover artist Althea Thauberger and the 2010 Governor General’s Awards also excite.

  • Adrian Norvid: Wrongo

    In his latest solo show, Adrian Norvid mashes up art-world fundraiser antics with exquisite-corpse techniques. Add in DIY flair and painstaking attention to detail, and you’ve got another wild voyage into Norvid’s wacky parallel universe.

  • Photogenic: Imaging the Abstract

    Libraries of books have been written on abstraction in painting. But it’s abstraction in photography that gets the focus with “Photogenic,” a Vancouver show that features 1920s work by László Moholy-Nagy alongside contemporary artists’ prints.

  • Posing Beauty in African American Culture: Colour Fields

    Hamilton is the only Canadian stop for a new exhibition, curated by NYU photo chair Deborah Willis, that interrogates notions of beauty and blackness. As reviewer Sally Frater observes, Willis’ approach provides antidotes to some longstanding art conundrums.

  • David Merritt: Roping Viewers In

    David Merritt is having a quartet of related exhibitions in southern Ontario this year. In his review of the project’s first iteration, “shim,” Sky Glabush marvels at Merritt’s ability to meander between objective clarity and deferred, slippery potential.

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