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Canadian Art

Quebec

  • MontrealMusée d’art contemporain de Montréal

    View: Lesley Johnstone

    “Yesterday’s Tomorrows”: Arni Haraldsson Lobby, Trellick Tower, London 2006.



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    View: Lesley Johnstone

    The idea for “Yesterday’s Tomorrows” began with an installation by the Toronto artist Paulette Phillips on the architect and designer Eileen Gray. Seeing it got me thinking about the proliferation of artists who are revisiting modernism and why so many of them are focusing on a specific object, be it an iconic building or person. The works in the exhibition are not homages: they’re not naive or cynical. Architecture and design offer another way into the ideals and aspirations of modernism. Artists are aware of its contradictions and its failures, but by putting that history in a social context, they look at it anew.
    Lesley Johnstone is the curator of “Yesterday’s Tomorrows.” The show runs to Sept. 6 at the Musée d’art contemporain de Montréal, 185, rue Ste-Catherine O.


  • Deschambault-Grondines

    La Colonie

    “La Colonie”: Martin Dufrasne Enchainement libre 2007.



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    La Colonie

    Quebec City’s L’Oeil de Poisson kicks off its 25th-anniversary year by taking over the village of Deschambault-Grondines for a summer festival of art interventions by BGL, Graeme Patterson and Kim Waldron, among others. June 18 to Sept. 26. Various locations, Deschambault-Grondines.


  • MontrealFOFA Gallery

    Shelley Miller

    Shelley Miller The Wealth of Some and the Ruin of Others (detail) 2008.



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    Shelley Miller

    Conquerors versus conquered and decadence versus decay are two of the critical counterpoints raised by Miller in “Refining History,” a survey exhibition that brings together photos of sitespecific, azulejo-design sugar murals and new icing-sugar sculptures to re-examine the legacy of slavery and industrial trade in postcolonial Brazil. July 12 to Aug. 13. FOFA Gallery, 1515, rue Ste-Catherine O., Montreal.


  • SherbrookeSporobole

    Marjolaine Bourdua

    Marjolaine Bourdua Faire une scène 2007.



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    Marjolaine Bourdua

    The Montreal artist closes the reality gap between selfidentity and pop-culture obsession with her sound work ORCHESTRARIA. Pascal Dufaux’s perspective-bending “sculptural-video-kinetic automaton” The cosmos in which we are follows. Through July 4/on view July 15 to Aug. 29. Sporobole, 74, rue Albert, Sherbrooke.


  • MontrealLeonard & Bina Ellen Art Gallery

    View: Charles Stankievech

    “Magnetic Norths”: Center for Land Use Interpretation Thule Warming Hut, Interior 2006.



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    View: Charles Stankievech

    Two intertwining threads run through “Magnetic Norths”: the North as a conceptual fantasy and also as a real space that is the site of colonialism, military enterprise and industrial exploration. On the one hand, there are archival objects like American military blueprints and photos of Alaskan oil fields from the Center for Land Use Interpretation. On the other, the show includes Michael Snow’s La Région Centrale, which frames the northern Quebec landscape as a lunar surface, and Kevin Schmidt’s recreation of Close Encounters of the Third Kind in the Yukon. It’s a diverse collection that revels in fantasy but is also critical of certain real histories.
    Charles Stankievech is an artist and curator. He is the organizer of “Magnetic Norths,” which runs to Apr. 17 at the Leonard & Bina Ellen Art Gallery, 1400, boul. de Maisonneuve O., Montreal.


  • Montreal Musée d’art contemporain de Montréal

    Marcel Dzama

    Marcel Dzama La Verdad Está Muerta/Room Full of Liars 2007.



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    Marcel Dzama

    More than 60 drawings, sculptures and dioramas by the Winnipeg-born, NY–based artist make up a mid-career survey that attests to the lasting appeal of Dzama’s unclassifiable, elusive art. To Apr. 25. Musée d’art contemporain de Montréal, 185, rue Ste-Catherine O.


  • MontrealLes Territoires

    Jason Hendrickson

    Jason Hendrickson Untitled (from the series Le Domaine de la Fierté) 2009.



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    Jason Hendrickson

    Domesticity and isolation are awkwardly counterposed in a series of photos that profile residents of a queer campground in Quebec through exterior views of their tents, cabins and summer homes. To Apr. 13. Les Territoires, 527–372, rue Ste-Catherine O., Montreal.


  • MontrealGalerie Orange

    Guy Laramée

    Guy Laramée La caverne de Ganjin 2008 .



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    Guy Laramée

    Famed archaeological landscapes are inscribed into encyclopedias, dictionaries and rare books in Guy Laramée’s “Pluie,” a solo exhibition of sculptures and paintings that allegorize cultural presence and withdrawal. Apr. 8 through May 2. Galerie Orange 81, rue St-Paul E., Montreal.


  • MontrealVOX

    Mladen Stilinović

    Mladen Stilinović From the series Artist at work 1978. Courtesy Mladen Stilinović



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    Mladen Stilinović

    The Croatian artist’s tongue-in-cheek conceptual practice is best exemplified by his tenet “There is no art without laziness.” A long-overdue Canadian survey exhibition highlights his bookworks, photos and installations. Opening May 8. VOX, 1211, boul. St-Laurent, Montreal.


  • MontrealDHC/ART Foundation for Contemporary Art

    View: John Zeppetelli

    Eija-Liisa Ahtila The House (installation view) 2002 .



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    View: John Zeppetelli

    I fell in love with Eija-Liisa Ahtila’s art in 1999, when I saw a work called Consolation Service, about a couple in the throes of divorce. In one scene, we see a baby handed from mother to counsellor and then to father during a therapy session as the parents literally bark at one another in a violent, primal and ultimately cathartic exchange. Eija-Liisa is an awesome, serious and occasionally comically absurd filmmaker who coldly dramatizes powerful emotions, plunging us deep inside psychological states— loss, madness, adolescent sexuality— while scrambling our perception of events in space and time in ways that make us think about how images and words unfold in narrative.
    John Zeppetelli is Curator at DHC/ART Foundation for Contemporary Art in Montreal. Eija-Liisa Ahtila’s solo show opens there on Jan. 29, 451/465, rue St-Jean.


  • MontrealParisian Laundry

    David Armstrong-Six/Rick Leong

    David Armstrong-Six Because I was not making a monument/because I was not making an object 2008 .



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    David Armstrong-Six/Rick Leong

    Large-scale sculptures and paintings reinterpret monumentality. Jan. 14 to Feb. 20. Parisian Laundry, 3550, rue St-Antoine O., Montreal.


  • MontrealMusée des beaux-arts de Montréal

    J. W. Waterhouse

    J. W. Waterhouse Nymphs Finding the Head of Orpheus 1900. Collection Sir Tim Rice / Photo Ian Bavington Jones



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    J. W. Waterhouse

    Some 80 works by the Pre-Raphaelite master, as well as his sketchbooks and letters, reflect Victorian-era spiritualism. To Feb. 7. Musée des beaux-arts de Montréal, 1379–80, rue Sherbrooke O.


  • MontrealArticule

    Vida Simon and Tedi Tafel

    Vida Simon and Tedi Tafel Approaching Stillness (performance photo) 2009 .



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    Vida Simon and Tedi Tafel

    The poetic and transformative nature of cosmic events inspires a year-long series of residencies culminating in a performance combining live drawing, video and gesture. From Feb. 12. Articule, 262, ave. Fairmount O., Montreal.


  • MontrealGalerie Donald Browne

    Raymonde April

    Raymonde April Desmond Adams’ darkroom, Montreal 2009.



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    Raymonde April

    Time and space become eerily contingent in “Equivalences,” a multi-gallery show of landscapes. Jan. 9 to Feb. 13. Galerie Donald Browne, 524–372, rue Ste-Catherine O., and other venues, Montreal.


  • MontrealMusée d’art contemporain de Montréal

    View:  Tricia Middleton

    Tricia Middleton Dark Souls (detail of work-in-progress) 2009 .



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    View: Tricia Middleton

    “Historically the museum has been constructed as a space that is intended to be a backdrop for art, and I wanted to change that. An early catalyst for my architectural installation was Nikolai Gogol’s novel Dead Souls. In the spirit of Gogol’s book, it will be a sprawling work made of disparate materials. The viewer will walk on a false floor: on a basic level my intention is to transport you into another material world. This tactile experience of space is going to be different than what we’ve ordinarily come to expect from the museum. Hopefully my work will also allow for a different experience of time: maybe a new, non-linear presence will have sprung up within the museum.”

    Tricia Middleton is a Montreal artist. Her solo show opens at the Musée d’art contemporain de Montréal on Oct. 10, 185, rue Ste-Catherine O.


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