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A guide to the best exhibitions and events in the visual arts
Thirty-five artists get on board with a national obsession and take to the rink in “Arena: The Art of Hockey,” on view Apr. 5 to June 8. (Art Gallery of Nova Scotia, 1723 Hollis St., Halifax.)
A career overview of the work of the PEI-born artist Allan Harding MacKay is at the Confederation Centre Art Gallery from Apr. 1 to June 1. (145 Richmond St., Charlottetown, PEI.)
Global warming serves as the antagonist in a tale of a pair of Alpine lovers in Lisa Lipton’s “High on a Hill,” opening March 8. (Eastern Edge Gallery, 72 Harbour Dr., St. John’s, NL.)
Brandon Vickerd brings the Canadian landscape into the digital age from Jan. 12 to March 2. (Saint Mary’s University Art Gallery, 5865 Gorsebrook Ave., Halifax, NS.)
Full talks and tours schedule, Douglas Coupland conversation info, and magazine launch details posted for free day of activities
Applications due May 9 for $55,000 in prizes
Free art tours for high-school students to take place in April and May
New writers on contemporary art encouraged to apply by June 1
Dates already set for next year’s Toronto festival
Applications for this $7,000 student award are due April 6
Event to feature a conversation with Douglas Coupland, gallery tours, a magazine launch and more
Films on Shary Boyle, Elmgreen & Dragset, Michel de Broin and Jon Gnarr set to open the festival on March 22
Opening-night celebration and art-industry talks highlight fifth year of fair
Don’t miss the North American premieres of films on Candida Höfer and Thomas Struth, happening February 23
The 85-year-old artist Arnaud Maggs nudged out Fred Herzog and Alain Paiement as winner of the second annual Scotiabank Photography Award, announced last night in Toronto. This $50,000 win follows the opening of a major Maggs survey at the National Gallery of Canada.
As one of the primary exhibitions for Contact 2012, “Public: Collective Identity | Occupied Spaces” is ambitious. Charlene K. Lau observes that the two-venue show mirrors the fractures of contemporary life: public and private, visible and invisible, place and non-place.
In this review, writer and artist Joni Murphy considers Abbas Akhavan’s current solo show in Montreal, which activates a variety of themes—war and art, destruction and nation building, human and animal—with a distinctively light touch.
Melding William Morris-style ornamentation with more contemporary concerns, artist Luke Painter detours around dry academicism for something more vibrant and visceral. Mariam Nader reviews his current Toronto show at LE Gallery, finding depth in decoration.
Frieze opened its first New York edition last week with some surprising highlights: sculptures that were free for public viewing outside the big commercial tent. Canadian Art art director Barbara Solowan was there, and brought back this slideshow.
