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    <title><![CDATA[Canadian Art - International]]></title>
    <link>http://www.canadianart.ca/art/intl/</link>
    <description><![CDATA[International]]></description>
    <cc:license rdf:resource="http://creativecommons.org/licenses/by-nc/2.0" />
    <dc:language>en-us</dc:language>
    <dc:rights>Copyright 2011 Canadian Art</dc:rights>
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        <rdf:li rdf:resource="http://www.canadianart.ca/art/intl/2010/06/01/robert-mangold/" />
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  <item rdf:about="http://www.canadianart.ca/art/intl/2010/06/01/tania-bruguera/">
    <title><![CDATA[Tania Bruguera]]></title>
    <link>http://www.canadianart.ca/art/intl/2010/06/01/tania-bruguera/</link>
    <description><![CDATA[
<img src="/art/intl/2010/09/01/448px_intlbruguera.jpg" alt="&quot;Tania Bruguera&quot; by Ed Rubin, Summer 2010, pp. 98-99" /><br />
Earlier this year at the Neuberger Museum of Art, about 30 miles outside
New York City, the Cuban-born artist Tania Bruguera, who lives and
works in Chicago, Havana and Paris and whose work examines the
relationships among ideology, power and social behaviour, mounted
a 15-year retrospective justly titled “On the Political Imaginary.” 
]]></description>
    <dc:date>2010-06-01T17:00:00Z</dc:date>
  </item>

  <item rdf:about="http://www.canadianart.ca/art/intl/2010/06/01/split-and-splice/">
    <title><![CDATA[Split + Splice]]></title>
    <link>http://www.canadianart.ca/art/intl/2010/06/01/split-and-splice/</link>
    <description><![CDATA[
<img src="/art/intl/2010/09/01/448px_intlsplit_img1.jpg" alt="&quot;Split + Splice&quot; by Alan Sondheim, Summer 2010, pp. 99-100" /><br />
In 2009, I exhibited my video What Remains at the University of
Copenhagen’s medical museum. While there, I took the time to roam
through an exhibition entitled “Split + Splice: Fragments from the
Age of Biomedicine,” which had been organized by the Canadian artist,
curator and academic Martha Fleming along with four post-doctoral
researchers at the museum.
]]></description>
    <dc:date>2010-06-01T16:00:00Z</dc:date>
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  <item rdf:about="http://www.canadianart.ca/art/intl/2010/06/01/robert-mangold/">
    <title><![CDATA[Robert Mangold]]></title>
    <link>http://www.canadianart.ca/art/intl/2010/06/01/robert-mangold/</link>
    <description><![CDATA[
<img src="/art/intl/2010/09/01/448px_intlmangold_img1.jpg" alt="&quot;Robert Mangold&quot; by Patrick Howlett, Summer 2010, pp. 100-101" /><br />
Robert Mangold has spent much of his career exploring variations
of a formal theme: the interplay of line, frame and colour. This
Albright-Knox show features four recent series of paintings and a group
of studies for a public work, with emphasis on the two most recent
painting series, <i>Column Structures</i> and <i>Ring Images</i>.
]]></description>
    <dc:date>2010-06-01T15:00:00Z</dc:date>
  </item>

  <item rdf:about="http://www.canadianart.ca/art/intl/2010/03/01/anish-kapoor/">
    <title><![CDATA[Anish Kapoor]]></title>
    <link>http://www.canadianart.ca/art/intl/2010/03/01/anish-kapoor/</link>
    <description><![CDATA[
<img src="/art/intl/2010/03/30/448px_int_anish_kapoor1_1000.jpg" alt="&quot;Anish Kapoor&quot; by Christina Bagatavicius, Spring 2010, pp. 89-99" /><br />
Expectations were high for Anish Kapoor’s latest exhibition, which marked the first time a living artist has been given free rein in the Royal Academy.
]]></description>
    <dc:date>2010-03-01T19:00:00Z</dc:date>
  </item>

  <item rdf:about="http://www.canadianart.ca/art/intl/2010/03/01/in-finitum/">
    <title><![CDATA[In-Finitum]]></title>
    <link>http://www.canadianart.ca/art/intl/2010/03/01/in-finitum/</link>
    <description><![CDATA[
<img src="/art/intl/2010/03/30/448px_int_infinitum1_1000.jpg" alt="&quot;In-Finitum&quot; by Fran&ccedil;ois Xavier Saint-Pierre, Spring 2010, pp. 99-100 " /><br />
Within the labyrinthine streets of Venice is a Gothic building that recently hosted the ambitious and unusual exhibition “In-finitum.”
]]></description>
    <dc:date>2010-03-01T18:00:00Z</dc:date>
  </item>

  <item rdf:about="http://www.canadianart.ca/art/intl/2010/03/01/luc-tuymans/">
    <title><![CDATA[Luc Tuymans]]></title>
    <link>http://www.canadianart.ca/art/intl/2010/03/01/luc-tuymans/</link>
    <description><![CDATA[
<img src="/art/intl/2010/03/30/448px_int_luc_tuymans1_1000.jpg" alt="&quot;Luc Tuymans&quot; by David Gleeson, Spring 2010, pp. 100-101 " /><br />
The last big Tuymans show I saw was at London’s Tate Modern about five years ago.
]]></description>
    <dc:date>2010-03-01T17:00:00Z</dc:date>
  </item>

  <item rdf:about="http://www.canadianart.ca/art/intl/2009/12/01/mircea-cantor/">
    <title><![CDATA[Mircea Cantor]]></title>
    <link>http://www.canadianart.ca/art/intl/2009/12/01/mircea-cantor/</link>
    <description><![CDATA[
<img src="/art/intl/2010/03/18/448px_int_cantor1_1000.jpg" alt="&quot;Mircea Cantor&quot; by Wojciech Olejnik, Winter 2009, pp. 114-15" /><br />
In “Preventative kiss for suspicious war,” the Romanian artist Mircea Cantor uses a stripped-down approach to address conflict, policing and subjugation. Such situations always contain more than one voice or mode of interpretation, and thus contradictory perspectives are incorporated into Cantor’s work.
]]></description>
    <dc:date>2009-12-01T18:00:00Z</dc:date>
  </item>

  <item rdf:about="http://www.canadianart.ca/art/intl/2009/12/01/allan-kaprow/">
    <title><![CDATA[Allan Kaprow]]></title>
    <link>http://www.canadianart.ca/art/intl/2009/12/01/allan-kaprow/</link>
    <description><![CDATA[
<img src="/art/intl/2010/03/18/448px_int_allan_kaprow1_640.jpg" alt="&quot;Allan Kaprow&quot; by Joseph R. Wolin, Winter 2009, pp. 115-16" /><br />
In 1961, Allan Kaprow, the putative father of both performance art and installation, filled the back garden at Martha Jackson Gallery in New York with hundreds of old tires, covering the sculptures that normally resided there with tarpaper and rope.
]]></description>
    <dc:date>2009-12-01T17:00:00Z</dc:date>
  </item>

  <item rdf:about="http://www.canadianart.ca/art/intl/2009/12/01/cave-painting/">
    <title><![CDATA[Cave Painting]]></title>
    <link>http://www.canadianart.ca/art/intl/2009/12/01/cave-painting/</link>
    <description><![CDATA[
<img src="/art/intl/2010/03/18/448px_int_cavepainting1_1000.jpg" alt="&quot;Cave Painting&quot; by Patrick Howlett, Winter 2009, pp. 116-17" /><br />
There is not much paleolithic-looking work in this grouping of 27 artists, but what the show might have in common with those early stabs at the medium of painting is an exploration of what abstraction can represent.
]]></description>
    <dc:date>2009-12-01T16:00:00Z</dc:date>
  </item>

  <item rdf:about="http://www.canadianart.ca/art/intl/2009/09/01/piero-manzoni/">
    <title><![CDATA[Piero Manzoni]]></title>
    <link>http://www.canadianart.ca/art/intl/2009/09/01/piero-manzoni/</link>
    <description><![CDATA[
<img src="/art/intl/2009/11/03/448px_manzoni1_1000.jpg" alt="&quot;Piero Manzoni&quot; by Joseph R. Wolin, Fall 2009, pp. 134-135" /><br />
Piero Manzoni, the puckish, baby-faced Italian, has long been beloved by art students everywhere for his Merda d’artista (1961), 90 small cans of what was purportedly his own shit, sold at the time for the price of their weight in gold. 
]]></description>
    <dc:date>2009-09-01T15:00:00Z</dc:date>
  </item>
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