-- Advertisement --

                           

-- Advertisement --

Canadian Art

Close Up

Shuvinai Ashoona

Shary Boyle on Shuvinai Ashoona
"Shuvinai Ashoona" by Shary Boyle, Fall 2009, p. 176 "Shuvinai Ashoona" by Shary Boyle, Fall 2009, p. 176

"Shuvinai Ashoona" by Shary Boyle, Fall 2009, p. 176

The moment I encountered this image I felt an instant connection with it. My response was intense and euphoric, a deep rush of excited bewilderment. The confusion produced by the disfigurement of the characters’ faces made me feel like keening. Simultaneously, I wanted to laugh my head off. What is going on??! Look at the pencil-crayon marks, the vertical scratchiness—and the faded, complementary colours. Look at the three points of black. Then step back and see the overall composition: the figures making a pretzel of their arms, entwining fingers, crossing legs—while the tree, beheaded and with spread-eagled roots, wraps an arm protectively around the strugglers. Now lean in closer. Check out those whiskers!! My god. Any communication between the anemone and the walrus is bound to be a mangled, physical thing. But what really pushes it over the edge for me are the two silent players: the perching tarantula and the stiff green fruit.

This article was first published online on September 1, 2009.

RELATED STORIES

  • Kavavaow Mannomee

    Kavavaow Mannomee is, like Annie Pootoogook and Shuvinai Ashoona, part of a third generation of Inuit artists who are drawing attention to the art made above the Arctic Circle.

  • Sobey Finalists 2009: Shary Boyle

    Shary Boyle’s haunting, psychologically probing, dreamlike images have been rendered masterfully in paint, overhead projections and porcelain sculpture over the past number of years.

  • The Sobey Art Award: Ontario Shortlist Edition

    The roster of national finalists for this year’s $50,000 Sobey Art Award is strong. But even the regional semifinal showdowns were quite competitive. Cambridge Galleries proves same in a summer show of Sobey’s Ontario candidates.

 

FOUNDATION NEWS

More Foundation news

ONLINE

  • Will Munro: Ecstatic Legacies

    In 2010, at the age of 35, Toronto artist/DJ/promoter/activist Will Munro succumbed to brain cancer. Here, David Balzer reviews the first big survey of Munro’s work, which makes apparent how talented, prolific and perceptive this creator was.

  • Painting Canada: Artistry in the UK

    The Dulwich Picture Gallery’s recent Group of Seven show was one of the UK museum’s biggest hits ever, drawing 41,000 visitors. The attention was deserved, writes Sarah Milroy, as the exhibition offered new insights even to seasoned Canadian-art observers.

  • David Altmejd: In the Belly of the Beast

    The Occupy movement has galvanized the way we think about haves and have-nots. But where do artists fit in? As Joseph R. Wolin observes in this review of David Altmejd’s show at the Brant Foundation, context can be as powerful as content in determining the split.

  • A Stake in the Ground: When Language Wounds

    What happens to identity when our relationship to land and language is disrupted? This is a key question raised in “A Stake in the Ground,” an exhibition of works by 25 First Nations artists, curated by Nadia Myre, that’s currently at Montreal gallery Art Mûr.

  • Canadianartschool.ca: Tips for a Successful Winter Term

    Our education and careers site has just posted more stories and tips to help students achieve a great winter term. Highlights include a profile of internationally renowned fashion designer Jeremy Laing, a Q&A on grad schools and more.

More Online

- Advertisements -



- Advertisements -
Report a problem