-- Advertisement --

-- Advertisement --

Canadian Art

Artist Project: The Tightrope Walker's Monuments

Between earth and sky, some images stand out as anonymous monuments to a surreptitious and silent presence—that of other images, moving, mobile, stratified within memory, seemingly unconnected; precise yet fragmentary images, often gleaned from media sources where they register in a stealthy way by deconstructing and even denying the subject from which they are born. These are fast, apparently mundane images that filter into the web of information and disinformation to cancel or break through it. In this confluence, an alternate conscience sometimes takes shape beyond words and reasons of State, with the secret strength of silence. If I happen to barely open the layers of this sedimentation, I can see details a thousand times more chiselled than any photographic document.

Thus, the sole of this man fallen flat on the ground beneath the rubble in Djenin. Impossible thereof not to be obsessed by the wretchedness of a person who dies fighting barefoot. Impossible also not to recall this friend of mine who said he always slept half lying down and with his clothes on: "I don't want death to catch me without shoes."

Impossible yet again to forget the profound gaze of a Baghdad child whom they have tried since to erase by presenting him surrounded with people and half-smiling.

And then this: a writer recalled the moment when a great tightrope walker went from one tower to the other, 400 metres above the ground. One shivers just thinking about it—imagining how it is to move forward on an inconsistent and fragile line, looking for a possible recess in the sky; experiencing vertigo, intoxicating despite everything, the perennial frailty that clings to our pathetic power.

Time after time, there is something else to be seen, so many other images continuously adding themselves to the steady stream, upsetting and eradicating official justification... To walk while carrying them inside oneself, between earth and sky, looking for a break, a bend in reality that will change its course.

Winter 2003

This article was first published online on May 4, 2004.

RELATED STORIES

 

FOUNDATION NEWS

More Foundation news

ONLINE

  • Arnaud Maggs: Winner of the $50,000 Scotiabank Photography Award

    The 85-year-old artist Arnaud Maggs nudged out Fred Herzog and Alain Paiement as winner of the second annual Scotiabank Photography Award, announced last night in Toronto. This $50,000 win follows the opening of a major Maggs survey at the National Gallery of Canada.

  • Public: Big Ambitions

    As one of the primary exhibitions for Contact 2012, “Public: Collective Identity | Occupied Spaces” is ambitious. Charlene K. Lau observes that the two-venue show mirrors the fractures of contemporary life: public and private, visible and invisible, place and non-place.

  • Abbas Akhavan: Up, Down and In-Between

    In this review, writer and artist Joni Murphy considers Abbas Akhavan’s current solo show in Montreal, which activates a variety of themes—war and art, destruction and nation building, human and animal—with a distinctively light touch.

  • Luke Painter: The Ornamentalist

    Melding William Morris-style ornamentation with more contemporary concerns, artist Luke Painter detours around dry academicism for something more vibrant and visceral. Mariam Nader reviews his current Toronto show at LE Gallery, finding depth in decoration.

  • Frieze New York: Taking it Outside

    Frieze opened its first New York edition last week with some surprising highlights: sculptures that were free for public viewing outside the big commercial tent. Canadian Art art director Barbara Solowan was there, and brought back this slideshow.

More Online

- Advertisements -



- Advertisements -
Report a problem