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Canadian Art

Fantastic Reality: Louise Bourgeois and a Story of Modern Art

You don't even have to be a fan to appreciate how Nixon takes on Louise Bourgeois's uncategorizable place within the canon, arguing that the great French artist's feminist critique of and reworking of surrealism took place via a psychoanalytically informed "habitual inconstancy" that put her at odds with the formalist modernism that (still) underlies art history and criticism. The brilliant observations that Nixon tosses out on almost every page not only enrich our reading of Bourgeois's art, but reaccess psychoanalytic criticism with a gusto that makes the book required reading.

This article was first published online on May 15, 2006. MIT Press/October Books 352 $54.00

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Jane Smith on 1st January 2007 at 3:55pm

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